Gruesomely violent with a disheartening take on the future.
A troubled teen in a zombie-infested landscape finds energy and purpose in killing.
Sixteen-year-old Quinn Wallace, surrendered by her adoptive parents at age 6 after just four years with them, is marking the time until she turns 18 and can leave the Pegasus Center, a residential treatment facility in Peoria, Illinois. She cynically chases the compliance points given for good behavior. Manipulative and in love with control, Quinn, who has ADHD (and, possibly, antisocial personality disorder), experiences “emotions differently than most people” and has had to learn to interpret others’ emotions; she gleans information about her fellow residents by secretly reading their charts. Reports of riots in Chicago feel remote until one day the chaos reaches their locked ward: A custodian reanimates following a violent death—she’s a carrier, someone infected with a “new and terrifying virus.” Quinn, 17-year-old Keisha, and a ragtag band from Pegasus flee the facility and head south. People underestimate petite, blond, pale-skinned, and sweet-faced Quinn, who’s protective of her Black-presenting crush, Keisha, who taught her how to turn on the charm and play people. First-person narrator Quinn feels “the warmth of excitement” when she kills. Many of her victims are one-note secondary characters whom she views as disposable. Salazar’s series opener, which was originally self-published in 2024 as The Dead Weight, explores mental health issues and neurodivergence in ways that unfortunately feel one-dimensional and offers little redemption for its protagonist.
Gruesomely violent with a disheartening take on the future. (Horror. 15-18)Pub Date: Aug. 25, 2026
ISBN: 9781464299292
Page Count: 352
Publisher: Sourcebooks Fire
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
Only marginally intriguing.
In a remote part of Utah, in a “temple of excellence,” the best of the best are recruited to nurture their talents.
Redemption Preparatory is a cross between the Vatican and a top-secret research facility: The school is rooted in Christian ideology (but very few students are Christian), Mass is compulsory, cameras capture everything, and “maintenance” workers carry Tasers. When talented poet Emma disappears, three students, distrusting of the school administration, launch their own investigation. Brilliant chemist Neesha believes Emma has run away to avoid taking the heat for the duo’s illegal drug enterprise. Her boyfriend, an athlete called Aiden, naturally wants to find her. Evan, a chess prodigy who relies on patterns and has difficulty processing social signals, believes he knows Emma better than anyone. While the school is an insidious character on its own and the big reveal is slightly psychologically disturbing, Evan’s positioning as a tragic hero with an uncertain fate—which is connected to his stalking of Emma (even before her disappearance)—is far more unsettling. The ’90s setting provides the backdrop for tongue-in-cheek technological references but doesn’t do anything for the plot. Student testimonials and voice-to-text transcripts punctuate the three-way third-person narration that alternates among Neesha, Evan, and Aiden. Emma, Aiden, and Evan are assumed to be white; Neesha is Indian. Students are from all over the world, including Asia and the Middle East.
Only marginally intriguing. (Mystery. 15-18)Pub Date: April 14, 2020
ISBN: 978-0-06-266203-3
Page Count: 416
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Jan. 18, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
SEEN & HEARD
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