Thick and sturdy pages and flaps are made to withstand many eager perusals as big sisters and brothers everywhere gear up...
A little girl eagerly awaits her new sibling.
She talks to the baby in mama’s belly about cupcakes, strawberries, sailing and swimming; sings songs extra-loud to be sure baby can hear and wonders what her new sibling will look like. The enthusiastic big sister is rendered mostly in black and white, with a large smiling face, upturned nose and a sprinkling of freckles. Each left-hand page depicts a pregnant belly in profile, gradually growing from a small bump until it finally crosses the center line and begins to crowd in on the right-hand page. Each rendering of the belly features a hidden flap under which can be found an adorable baby with closed eyes, a sweet smile and rosy, red cheeks. The flap and the baby it conceals grow bigger as the belly does, until finally, the big day arrives. Big sister waits patiently at home, getting dressed up for the occasion, until mother and father return home and place the little one, eyes wide open now, in big sister’s arms. Those looking for new-baby–jealousy or sibling-rivalry themes will need to look elsewhere; this one is all sweetness and light.
Thick and sturdy pages and flaps are made to withstand many eager perusals as big sisters and brothers everywhere gear up for their own big days. (Picture book. 2-5)Pub Date: May 7, 2013
ISBN: 978-1-4197-0371-3
Page Count: 28
Publisher: Abrams Appleseed
Review Posted Online: March 19, 2013
Kirkus Reviews Issue: April 15, 2013
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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BOOK REVIEW
BOOK REVIEW
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