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INSIDE HITLER’S BUNKER

THE LAST DAYS OF THE THIRD REICH

A well-considered slice of the Nazi era, and one with a happy ending.

A vivid reconstruction of the final weeks of Hitler’s regime.

In mid-April 1945, the Soviets launched an offensive against Berlin “with twenty armies, two and a half million soldiers, and more than forty thousand mortars and field guns”—an avenging force of an almost unimaginable size and scale. Hitler retreated into the Reich Chancellery, but not before warning that this “Asian onslaught” had to be stopped; if it were not, he warned, Germany’s “old people, men, and children will be murdered, and women and girls will be forced to serve as barracks whores.” Thus inspired, the Volksturm and Wehrmacht units charged with defending the city put up a stiff fight, even as Hitler continued to imagine that with Franklin Roosevelt’s death the Western Allies would realize that their enemy was Russia and join Hitler’s crusade. The fall of Vienna to the Soviets put an end to that vision, and Hitler—physically and mentally ill—waited out Marshal Zhukov’s arrival while gorging himself on chocolate cake. An inglorious end, that, and German historian Fest (Speer: The Final Verdict, 2002, etc.) surprises with a number of unreported or overlooked details—such as a letter that Albert Speer had written to Hitler only a few weeks before, chiding him “for equating the existence of Germany with his own life span, describing this as an egocentricity unparalleled in history.” For all that, Hitler shot his wife and then himself, leaving it to the handful of remaining stalwarts to burn their corpses. Fest confirms that widely published photographs of Hitler’s corpse were a hoax, but adds the intriguing note that many of the theories concerning Hitler’s supposed survival came straight from Josef Stalin: “Once he said that Hitler had escaped to Japan in a submarine; another time he mentioned Argentina; and later he said something about Franco’s Spain.”

A well-considered slice of the Nazi era, and one with a happy ending.

Pub Date: April 1, 2004

ISBN: 0-374-13577-0

Page Count: 208

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2004

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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