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HER WIDOW

Tender, realistic snapshots of life during bereavement.

Awards & Accolades

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A heartfelt journal spans the year following a partner’s death from ovarian cancer.

Alden (When I First Knew, 2016, etc.) wrote this in memory of her partner—photographer and graphic designer Catherine J. Hopkins (1940-1996), with whom she lived in Catskill, New York. At that time, the legitimacy of their same-sex relationship wasn’t widely acknowledged. The local courthouse and church both refused to marry the women, but their pastor performed a wedding ceremony at their home in 1991, and Alden considered Catherine her wife. However, she would later feel shunned at a bereavement support group, and her parents, who never approved of her relationships with women, announced that they wanted nothing further to do with her. Month by month, these diary entries from 1996—addressed as letters to the late Catherine—illuminate the first year of sometimes-desperate grief. The author recounts her struggle to accept her identity as a widow: “I don’t know this person who can’t find meaning or pleasure in anything.” Flipping through photo albums unearthed memories of parties and vacations, but early on, it was the painful scenes that tended to linger: cleaning Catherine’s stomach tube, the final moments before her death, and the rituals of washing her body and informing relatives. Looking back, though, Alden could see that, however ironically, “those difficult days were the most intimate.” The journal artfully sets the enormity of loss in the context of everyday activities. Life goes on with a broken toilet to be fixed, a wedding to attend, and an ex-lover’s body to identify. Short, poetic notes on the weather close most of the entries, providing a sense of inevitable forward motion. Catherine’s black-and-white photographs also illustrate the seasons’ passage. By September, the narrative sees the author moving on—selling their house, moving to start a new teaching role, and facing breast cancer unfazed. She resolves to “remember the past with gratitude” and “neither to flee the darkness nor fly toward the light,” instead taking a cleareyed view of life’s mixed fortunes.

Tender, realistic snapshots of life during bereavement.

Pub Date: Oct. 18, 2018

ISBN: 978-1-4575-6298-3

Page Count: 202

Publisher: Dog Ear Publisher

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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