by Joan Alden ‧ RELEASE DATE: Oct. 18, 2018
Tender, realistic snapshots of life during bereavement.
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A heartfelt journal spans the year following a partner’s death from ovarian cancer.
Alden (When I First Knew, 2016, etc.) wrote this in memory of her partner—photographer and graphic designer Catherine J. Hopkins (1940-1996), with whom she lived in Catskill, New York. At that time, the legitimacy of their same-sex relationship wasn’t widely acknowledged. The local courthouse and church both refused to marry the women, but their pastor performed a wedding ceremony at their home in 1991, and Alden considered Catherine her wife. However, she would later feel shunned at a bereavement support group, and her parents, who never approved of her relationships with women, announced that they wanted nothing further to do with her. Month by month, these diary entries from 1996—addressed as letters to the late Catherine—illuminate the first year of sometimes-desperate grief. The author recounts her struggle to accept her identity as a widow: “I don’t know this person who can’t find meaning or pleasure in anything.” Flipping through photo albums unearthed memories of parties and vacations, but early on, it was the painful scenes that tended to linger: cleaning Catherine’s stomach tube, the final moments before her death, and the rituals of washing her body and informing relatives. Looking back, though, Alden could see that, however ironically, “those difficult days were the most intimate.” The journal artfully sets the enormity of loss in the context of everyday activities. Life goes on with a broken toilet to be fixed, a wedding to attend, and an ex-lover’s body to identify. Short, poetic notes on the weather close most of the entries, providing a sense of inevitable forward motion. Catherine’s black-and-white photographs also illustrate the seasons’ passage. By September, the narrative sees the author moving on—selling their house, moving to start a new teaching role, and facing breast cancer unfazed. She resolves to “remember the past with gratitude” and “neither to flee the darkness nor fly toward the light,” instead taking a cleareyed view of life’s mixed fortunes.
Tender, realistic snapshots of life during bereavement.Pub Date: Oct. 18, 2018
ISBN: 978-1-4575-6298-3
Page Count: 202
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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