A memorable, rewarding family saga of familial love and unbridled determination.



Lieberman’s (Optimal Distance: A Divided Life, Part One, 2017) autobiography continues with this second installment, which resumes her story just after her schizophrenic mother’s passing.

Near the start of this book, the author eloquently equates her mother’s death to “an amputation that left behind a phantom limb still sending alarm signals to my brain.” The event also gave the author a new perspective on her own fate and “definitely made me eager to start my life over.” With remarkable recollection, she retraces her own life after her mother became a memory, unhurriedly recounting decades of devoted child-rearing and pet raising and the joys and struggles of her career and family life. When her own daughter moved away to college, she reconsidered the surgery that prevented her from having further pregnancies, despite her husband’s initial objections. She reversed the procedure and had a son, Eben, in 1983, 20 years after the birth of her first child, Olivia. A struggle against breast cancer clouded her mid-40s, but she managed to start a preschool and experienced great improvement after treatment with an experimental drug. She endured an unforeseen remission in 1992, which reframed her life once more. Later, she went on to care for her mother-in-law in Florida. The daily foibles and adventures of the author and her mother-in-law in these later pages add some welcome levity and humor to this impassioned autobiography and demonstrate the author’s talent for zesty prose before the predication of her own declining health takes over the book’s concluding chapters. Still, as readers may expect after the last volume, Lieberman effectively shows how her abiding spirit delivers her from death’s door again and again. Although the sunny skies in this remembrance often seem to be few and far between, readers will still get immense satisfaction from knowing that Lieberman made it through—and that she has happiness, love, and precious children to show for it. As in her first installment, the author generously supplies family photographs that greatly embellish and enhance her moving chronicle of motherhood.

A memorable, rewarding family saga of familial love and unbridled determination.

Pub Date: July 28, 2017

ISBN: 978-0-9987690-2-8

Page Count: 372

Publisher: Camperdown Elm Publishing

Review Posted Online: July 24, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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