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OPTIMAL DISTANCE

A DIVIDED LIFE, PART ONE

A searingly honest chronicle of motherhood and mental illness drawn from the bittersweet memories of a daughter.

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A debut coming-of-age autobiography chronicles personal ancestry and familial struggle.  

In the first of author and speechwriter Lieberman’s two-part history—a massively researched endeavor 18 years in the making—she unveils the genesis of her family life through heartfelt prose and generous photographs. The book’s title is derived from the autonomy the author strived to achieve in order to feel wholly at peace with what she calls a shameful family secret: her mother Margaret’s lifelong struggle with paranoid schizophrenia. Life became challenging early on as the daughter of an atheist father and a mother who heard the “voices of a god and a devil.” Lieberman diligently retraces her parents’ individual histories, reaching back to her mother’s birth to a Mormon family in Utah and the blind date that would seal her romantic fate with the author’s father, Frank. Though the marriage of a Mormon-raised daughter to a gentile raised eyebrows in Salt Lake City, their union produced the author, the surviving female twin from a complicated pregnancy (her brother died in childbirth). Years later, her mother began hearing demonic voices that incapacitated her, while Lieberman found supreme solace in the safe havens of next-door neighbor Marlene Evans, the Mormon Church, and her Aunt Mary’s home. In sharing cherished anecdotes and resonant memories, the author effectively exorcises the demons of a youth spent searching for answers and knowing “my mother was both dangerous and deeply disturbed.” As the author learned lessons about death, money, driving, and jealousy, a stint abroad helped her mature into a woman capable of love and motherhood even as the Vietnam War raged on and the irrational fear that she would develop schizophrenia loomed. Lieberman rightfully labels schizophrenia as an incurable “human disaster.” As a child, her mother’s paranoid hallucinations of “invisible demons” were random and frightening, and Lieberman’s portrayal of Margaret’s further descent is palpably disturbing and sorrowful. Yet it also presents the author as an increasingly formidable and resilient woman able to withstand the sadness of her mother’s illness with the fortitude of a well-adjusted adult. Her poignant, painstakingly detailed journey is both exhaustive and intimately personal.

A searingly honest chronicle of motherhood and mental illness drawn from the bittersweet memories of a daughter.

Pub Date: July 28, 2017

ISBN: 978-0-9987690-1-1

Page Count: 384

Publisher: Camperdown Elm Publishing

Review Posted Online: July 11, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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