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MAKE IT STAY

Rachel, the narrator, writes books and deeply loves her husband Neil, a lawyer who has occasional doubts about their...

A novel that peers into relationships in the small town of Mira Flores in northern California.

Rachel, the narrator, writes books and deeply loves her husband Neil, a lawyer who has occasional doubts about their marriage. His best friend is Mike, the man who saved him from drowning in the South Pacific. Mike sells exotic fish and is married to Tilda, the only character who has an underlying streak of meanness and deceit. The mix of personalities is perfect: a woman who loves unconditionally; her loyal but sometimes shaky spouse; his do-anything-for-you and screw-anything-that-moves friend; and a woman who serves expensive steaks she obtains with “five-finger discounts.” When disaster strikes one of them, the rest are devastated. Frank wraps the reader in a cocoon of finely spun images and rich similes that makes one want to return to the beginning of the book just to savor the language all over again. The “heavy sweetness of roses spilling over fences in Popsicle colors” is just one example of the vivid prose that appears on virtually every page. These images don’t distract from the story but enrich it with the help of four fully developed characters. The reader will hope that Neil realizes how lucky he is to have Rachel, that Mike can avoid being hurt too badly by Tilda, and that nothing can ever harm the friendship between Neil and Mike. There comes a moment when everything seems perfect with the foursome, when one of the characters wants that situation to last forever, to “make it stay.” But happily-ever-afters are for fairy tales, and nothing good lasts forever.

Pub Date: March 1, 2012

ISBN: 978-1-57962-227-5

Page Count: 164

Publisher: Permanent Press

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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