In this brief romantic biography of the last mistress of Louis XV, Haslip (Marie Antoinette, 1988, etc.), now 80, brings a special charm to the story of du Barry (1743-93), whose legendary beauty brought both rewards and penalties: power, wealth, envy, fear, and, ultimately, death. Illegitimate child of a French peasant, Jeanne Beáu was educated in a convent until, at 15, she emerged a golden-haired, lisping beauty who worked as a hairdresser and a milliner's assistant—but who was, in fact, a prostitute. Discovered by Jean du Barry, a dissolute gambler and pimp to the aristocracy, she was introduced at Versailles, where Louis XV, 58, a widower, became infatuated with her. After her hasty and unconsummated marriage to Jean's brother, Guillaume, comte du Barry, Mme. du Barry became the king's official mistress and one of the wealthiest women in France, a wealth she shared with, among others, her beloved ``niece,'' Betsi, whom Haslip ``suspects'' may have been her illegitimate daughter. Mme. du Barry was also hated, especially by Marie Antoinette, who arranged to have her imprisoned after the death of Louis. Released after one year, Mme. du Barry recovered her jewels, her estate, and a series of lovers, including an English neighbor who ultimately rejected her—a ``little-known'' story that Haslip reveals. In the early stages of the Revolution, Mme. du Barry traveled often to England, possibly as a courier for ÇmigrÇs but ostensibly to try to recover stolen jewels that had been impounded there. She returned to France only to be beheaded for her aristocratic associations. Although more extensive, scholarly, and even popular biographies of du Barry are available, this one has a particular appreciation for the decorative arts that women like du Barry cultivated—arts that included the remaking of themselves—and for the hazards of beauty when it comes close to political power. The lavish language recalls the style of Regency novels, for which this could serve as a reference. (Eight pages of b&w photographs—not seen.)
Pub Date: April 1, 1992
ISBN: 0-8021-1256-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1992
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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