A haunting novel that lays bare the ugliness of narcissism at its most extreme.
When a woman falls under the thrall of an unscrupulous therapist, she must reconcile with the demons of her past in order to confront the present.
Beth is drifting through life with some appearance of ease, a successful London artist with a precocious preteen daughter and a charmingly attentive and supportive husband. In fact, it’s Sol’s suggestion that she seek out therapy as Fern’s 13th birthday approaches; Beth was abandoned by her own mother when she was 13, and he wants to help her navigate the inevitably painful memories that will arise. So Beth begins to meet with Dr. Tamara Bywater, but as therapy continues, she begins to feel more and more estranged from her daughter. Sol and Tamara both try to soothe her, reminding her that it's natural teen behavior to pull away and acknowledging Beth’s own baggage when it comes to mothering, but soon, Beth and Fern are barely speaking. When Tamara begins to make friendly overtures, Beth is flattered and desperate to keep her attention. Slowly, she finds herself deeply fascinated by Tamara, open to a flirtation that will threaten everything she holds dear. Briscoe slowly and skillfully unspools the sexual and psychological tension to the breaking point; even as it becomes apparent to the reader that Tamara Bywater is disturbed and manipulative, we can't help but understand, for a time, Beth’s clinging to the adventure and romance she offers. Buried at the heart of Beth’s choices are her own fears that she is, in fact, unlovable, as proven by her mother’s constant rejection. Like the smooth surface of an oil painting, the novel presents a slickly beautiful vision of fantasy, layered under with ferocious, stabbing brushstrokes of pain.
A haunting novel that lays bare the ugliness of narcissism at its most extreme.Pub Date: Aug. 25, 2020
ISBN: 978-1-40887-349-6
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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