by Joanna Briscoe ‧ RELEASE DATE: Aug. 25, 2020
A haunting novel that lays bare the ugliness of narcissism at its most extreme.
When a woman falls under the thrall of an unscrupulous therapist, she must reconcile with the demons of her past in order to confront the present.
Beth is drifting through life with some appearance of ease, a successful London artist with a precocious preteen daughter and a charmingly attentive and supportive husband. In fact, it’s Sol’s suggestion that she seek out therapy as Fern’s 13th birthday approaches; Beth was abandoned by her own mother when she was 13, and he wants to help her navigate the inevitably painful memories that will arise. So Beth begins to meet with Dr. Tamara Bywater, but as therapy continues, she begins to feel more and more estranged from her daughter. Sol and Tamara both try to soothe her, reminding her that it's natural teen behavior to pull away and acknowledging Beth’s own baggage when it comes to mothering, but soon, Beth and Fern are barely speaking. When Tamara begins to make friendly overtures, Beth is flattered and desperate to keep her attention. Slowly, she finds herself deeply fascinated by Tamara, open to a flirtation that will threaten everything she holds dear. Briscoe slowly and skillfully unspools the sexual and psychological tension to the breaking point; even as it becomes apparent to the reader that Tamara Bywater is disturbed and manipulative, we can't help but understand, for a time, Beth’s clinging to the adventure and romance she offers. Buried at the heart of Beth’s choices are her own fears that she is, in fact, unlovable, as proven by her mother’s constant rejection. Like the smooth surface of an oil painting, the novel presents a slickly beautiful vision of fantasy, layered under with ferocious, stabbing brushstrokes of pain.
A haunting novel that lays bare the ugliness of narcissism at its most extreme.Pub Date: Aug. 25, 2020
ISBN: 978-1-40887-349-6
Page Count: 384
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
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BOOK REVIEW
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Max Brooks
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BOOK TO SCREEN
by Stephen King ‧ RELEASE DATE: Sept. 5, 2023
Loyal King stans may disagree, but this is a snooze.
A much-beloved author gives a favorite recurring character her own novel.
Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.
Loyal King stans may disagree, but this is a snooze.Pub Date: Sept. 5, 2023
ISBN: 9781668016138
Page Count: 464
Publisher: Scribner
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
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by Stephen King
BOOK REVIEW
by Stephen King
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by Stephen King
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SEEN & HEARD
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