Striking and defiant: an unabashed declaration of hope.
Eyes That Kiss in the Corners (2021) author Ho reflects on Asian American history.
“We who dream / mark time by the moon, / a heavenly body containing multitudes, whose many faces mirror our own.” Writing in verse, Ho notes the diversity of the Asian American community. She alludes to the many reasons that people took the risk of immigrating to America: the wounds of colonization, unfair labor practices, and dreams of opportunities. Affirming that the Asian experience is an integral part of U.S. history, she acknowledges the oppression that Asian Americans have endured, but, she stresses, “We are not our pain.” “We who prosper / hold injustice / in our mouths, / encircle it with tenacity / and audacity, / roll it around on our tongues… // and spit it out.” The resulting pearl is a potent metaphor for Asian Americans’ ability to create beauty and meaning out of sorrow. Despite the picture-book format, this work is better suited for older readers. Laced with references to historical figures, movements, and events, Ho’s rich, mesmerizing text begs to be discussed; educators will appreciate the detailed backmatter, which unpacks each stanza, offering historical context and guiding questions. Ho’s verse is brought to vivid life by Phingbodhipakkiya’s arresting, vibrant images of people set against backdrops teeming with traditional cultural motifs.
Striking and defiant: an unabashed declaration of hope. (author’s and illustrator’s notes) (Informational picture book. 7-12)Pub Date: April 16, 2024
ISBN: 9781338846652
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: March 22, 2024
Kirkus Reviews Issue: April 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
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