A new voice in historical romance that will keep readers riveted.
An alleyway meet-cute leads to a bargain struck between an aspiring artist and an infamous duke.
When Lucy Coover literally steps on a naked man lying unconscious in a Shoreditch alley, all she can do is find him some help before moving on—but the majestic Adonis refuses to leave her mind’s eye, and before she knows it she’s rendered his striking form on her canvas. Five months later, Anthony Philby, seventh Duke of Weston, is surprised by his own slumbering countenance looking back at him from a painting. Tracking down the mysterious L. Coover proves little difficulty, although Weston hadn't anticipated that the person who created such a scandalous depiction of him is actually a woman. But he has more than the issue of Lucy to contend with; he’s counting down the minutes until his 30th birthday, when his inheritance will be fully awarded. Staying scandal-free long enough to make it to that date is at the forefront of his priorities, but every second that Weston spends in Lucy’s company he finds himself more and more enchanted by the fiercely expressive painter. When the two strike a deal—she'll help locate his wayward sister, he'll rescue her aunt's shop from being condemned—their lives become inextricably entwined. Lowell’s prose is vivid and evocative, and issues such as class inequity, women’s rights, and alcohol addiction complement the intense on-page evolution of the love story. Some elements may be too neatly resolved, but those looking for a happy-ever-after for complex and passionate characters will be very satisfied here.
A new voice in historical romance that will keep readers riveted.Pub Date: April 6, 2021
ISBN: 978-0-593-19828-5
Page Count: 384
Publisher: Berkley
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
For devoted Hannah fans in search of a good cry.
The miseries of the Depression and Dust Bowl years shape the destiny of a Texas family.
“Hope is a coin I carry: an American penny, given to me by a man I came to love. There were times in my journey when I felt as if that penny and the hope it represented were the only things that kept me going.” We meet Elsa Wolcott in Dalhart, Texas, in 1921, on the eve of her 25th birthday, and wind up with her in California in 1936 in a saga of almost unrelieved woe. Despised by her shallow parents and sisters for being sickly and unattractive—“too tall, too thin, too pale, too unsure of herself”—Elsa escapes their cruelty when a single night of abandon leads to pregnancy and forced marriage to the son of Italian immigrant farmers. Though she finds some joy working the land, tending the animals, and learning her way around Mama Rose's kitchen, her marriage is never happy, the pleasures of early motherhood are brief, and soon the disastrous droughts of the 1930s drive all the farmers of the area to despair and starvation. Elsa's search for a better life for her children takes them out west to California, where things turn out to be even worse. While she never overcomes her low self-esteem about her looks, Elsa displays an iron core of character and courage as she faces dust storms, floods, hunger riots, homelessness, poverty, the misery of migrant labor, bigotry, union busting, violent goons, and more. The pedantic aims of the novel are hard to ignore as Hannah embodies her history lesson in what feels like a series of sepia-toned postcards depicting melodramatic scenes and clichéd emotions.
For devoted Hannah fans in search of a good cry.Pub Date: Feb. 9, 2021
ISBN: 978-1-2501-7860-2
Page Count: 464
Publisher: St. Martin's
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A ghost story, a love story, a mystery—this seductive novel has it all.
A haunted house full of haunted people is the setting for this lively, moving tale.
When 15-year-old Sana Malek and her widowed father move from Johannesburg, South Africa, to Durban in 2014, they land in a once-glorious mansion overlooking the sea, now a ramshackle rooming house presided over by a kindly old man called Doctor. Sana is familiar with ghosts, having been haunted all her life by the spiteful ghost of her previously conjoined twin sister, who died soon after they were separated. So she recognizes that the house teems with them. She forms tentative bonds with some of the place’s corporeal residents, a group of contentious older women. But she’s more interested in the departed, and she begins to unravel their stories, especially when she finds a long-locked bedroom with diaries and photos that are evidence of a couple in love. In 1919, we learn in the book’s second timeline, a dashing, wealthy young Muslim man named Akbar Ali Khan left his village in Gujarat. Eventually he settled in Durban, following an arranged marriage in India with his modern Anglophile wife, Jahanara Begum. They have a son and daughter, but their marriage never warms, despite the spectacular house and gardens he builds for them. Then he does fall in love, with a Tamil girl hired to work in his sugar factory. Meena rejects him, but he takes her as another wife anyway, patiently winning her over until their love catches fire. Akbar isn’t the only one in love with Meena; the djinn of the title, an ancient creature weary of the world, is enchanted. But Jahanara’s bitter jealousy of Meena will lead them all to a terrible fate. Almost a century later, Sana will put it all together—but will that bring catastrophe? Khan’s prose is lush and lovely, her pacing skillful, and she successfully weaves a complex plot with a large cast.
A ghost story, a love story, a mystery—this seductive novel has it all.Pub Date: Jan. 9, 2024
ISBN: 9780593653456
Page Count: 320
Publisher: Viking
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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