Each story is subtly presented and, for the most part, disturbingly believable.
In her debut, Luloff weaves a montage of stories into a cohesive whole as she explores the roles of tradition and family and the destructive power of war through the lives of each character.
With simplicity, the author, a former Peace Corps volunteer, gives voices to those who’ve been touched, however remotely, by a conflict that lasted for decades and destroyed the fabric of a country. Mohan, Janaki and their two daughters live a comfortable family-oriented life in Baddegama, a village in southern Sri Lanka, and pay scant attention to the struggle occurring between Tamil insurgents and the Sinhalese government. The skirmishes are taking place in the northern section of their country, so it’s had little impact on their lives. But not so for Lakshmi, Janaki’s older sister: Her husband, Sunil, a Tamil sympathizer, disappeared from the streets of Colombo in 1987, and now Lakshmi is returning to her family, a person incontrovertibly different from the girl Janaki once knew. Peace Corps volunteer Sam, a boarder in Janaki’s home, falls in love with a student from the north and insists on staying in the country even though his visiting parents pressure him to leave. And other volunteers, whether for altruistic reasons, adventure or escape, journey to Sri Lanka to find purpose or refuge along the beautiful beaches or in mountain retreats. Like Lucy, who manages an International Aid rest home, some discover that fulfilling a desire for adventure can lead to witnessing unimaginable horrors. Perhaps the most affecting tale is the story of Nilanthi, a brilliant young teaching candidate and the object of volunteer Sam’s love. When the violence causes her program to shut down, she returns home to her parents, three brothers and best friend, Sunitha. What follows is a study of societal barriers, family dynamics and individual strength.
Each story is subtly presented and, for the most part, disturbingly believable.Pub Date: Oct. 2, 2012
ISBN: 978-1-56512-921-4
Page Count: 288
Publisher: Algonquin
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
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