by Joanna Luloff ‧ RELEASE DATE: Oct. 2, 2012
Each story is subtly presented and, for the most part, disturbingly believable.
In her debut, Luloff weaves a montage of stories into a cohesive whole as she explores the roles of tradition and family and the destructive power of war through the lives of each character.
With simplicity, the author, a former Peace Corps volunteer, gives voices to those who’ve been touched, however remotely, by a conflict that lasted for decades and destroyed the fabric of a country. Mohan, Janaki and their two daughters live a comfortable family-oriented life in Baddegama, a village in southern Sri Lanka, and pay scant attention to the struggle occurring between Tamil insurgents and the Sinhalese government. The skirmishes are taking place in the northern section of their country, so it’s had little impact on their lives. But not so for Lakshmi, Janaki’s older sister: Her husband, Sunil, a Tamil sympathizer, disappeared from the streets of Colombo in 1987, and now Lakshmi is returning to her family, a person incontrovertibly different from the girl Janaki once knew. Peace Corps volunteer Sam, a boarder in Janaki’s home, falls in love with a student from the north and insists on staying in the country even though his visiting parents pressure him to leave. And other volunteers, whether for altruistic reasons, adventure or escape, journey to Sri Lanka to find purpose or refuge along the beautiful beaches or in mountain retreats. Like Lucy, who manages an International Aid rest home, some discover that fulfilling a desire for adventure can lead to witnessing unimaginable horrors. Perhaps the most affecting tale is the story of Nilanthi, a brilliant young teaching candidate and the object of volunteer Sam’s love. When the violence causes her program to shut down, she returns home to her parents, three brothers and best friend, Sunitha. What follows is a study of societal barriers, family dynamics and individual strength.
Each story is subtly presented and, for the most part, disturbingly believable.Pub Date: Oct. 2, 2012
ISBN: 978-1-56512-921-4
Page Count: 288
Publisher: Algonquin
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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BOOK REVIEW
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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by Lisa Jewell
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BOOK REVIEW
by Lisa Jewell
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