A young girl abandoned by her mother struggles to discover her origins in Denver's early-'70s hippie scene in a compelling coming- of-age debut. Five-year-old Sarajean Henry has a home and a father of sorts, but her life in downtown Denver in 1969 is decidedly exotic. Though she doesn't know it, the man she lives with isn't actually her father, and the woman who crashes occasionally in the purple-walled apartment downstairs is really her mother, but the hippie world she grows up in—a community of refugees from the conservative Midwest- -is conspiring to keep the truth of her origins from her. As Sarajean matures and reaches adolescence, she finds herself drifting from one funky apartment to another, searching for a mother's tenderness (though unable even to identify her yearning) in a cup of herbal tea with Lady Jane, a Joni Mitchelllike space cadet in embroidered jeans and wooden clogs; a friendship (and a part-time job) with the grandmotherly owner of the local thrift shop; poetry sessions with the elusive, stoned-out Tina Blue, who confides to Sarajean that she has ``fled the dark heart of America'' and is hiding; and increasingly risky escapades with Lalena, Sarajean's best friend, whose sexual abuse by her Vietnam- vet, drug-pushing father epitomizes the community's casual irresponsibility toward their young. Jimmy Henry, Sarajean's own burnt-out surrogate father, is too caught up in his heroin addiction and subsequent recovery to realize that Sarajean needs to know who her mother is. He clearly needs Sarajean, though, for stability in his life, and it's his imperfect love that saves the girl when she flees across America, seeking her mother and a stable identity for herself. An extraordinarily powerful first novel in which what is not said often seems infinitely more important than what is. Sarajean is impossible to forget. (Author tour)
Pub Date: March 31, 1997
ISBN: 1-56512-154-6
Page Count: 384
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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