Overall, a solid and enjoyable book.
Eda has given up everything to become empress, but making a deal with a god is dangerous, especially one as clever as Tuer.
After the death of the emperor, Eda was made empress of Enduena, much to the chagrin of her (much older) advisers, who continually attempt to undermine her authority. Her first order of business was to bring back religious practices that the previous emperor abolished and reconstruct a temple in Tuer’s name: She made a promise to him that if she failed to do so, she would forfeit the life of her best friend, Niren. Wracked with guilt over gambling with Niren’s life, Eda is hit with another surprise when a new suitor arrives for her, Prince Ileem of Denlahn, her country’s greatest enemy. Could a marriage alliance save her people from all-out war with the Denlahns and give her the support she needs to finish her temple and save Niren? This ambitious book attempts to cover a lot of ground but struggles with pacing and character development. While the world is well built, with clear rituals, rules, and beliefs, the first part drags, readers will likely anticipate the ending, and characters’ behavior at times feels inconsistent. However, the second half of the book sees Eda’s growth, more action, and some exciting magic. Whiteness is situated as the norm; the Denlahns are brown-skinned, and Niren has bronze skin.
Overall, a solid and enjoyable book. (Fantasy. 13-18)Pub Date: Jan. 14, 2020
ISBN: 978-1-62414-820-0
Page Count: 400
Publisher: Page Street
Review Posted Online: Oct. 5, 2019
Kirkus Reviews Issue: Nov. 1, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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