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GRUMBLESOME

Has all the characteristics of a classic bedtime story.

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A young child comes to regret his obstreperous bedtime behavior after some self-reflection in Foster’s picture book.

Nat, a little boy with light skin and brown hair, lies frustrated in his bed. No matter how hard he tries, he just cannot fall asleep. When he steps into the hallway and discovers his game controller tossed on the floor, a flashback returns him to the events of earlier that night. His parents had urged him to go to bed, but he refused to put down his video game, and an over-the-top tantrum ensued: “My answer is NO! It’s MY controller. I WANT ONE MORE HOUR!” Ashamed, Nat goes back to his room and tries to calm himself with deep breaths. (“If I think hard, I can work out a plan. How to apologize? How to be kind?”) He begins to work on an endearing arts and crafts project to make things right with his family. Dorman’s cartoony illustrations are wonderfully detailed and deftly capture the emotional world of a young child. The rhymes are also a treat, melodic and engaging to read: “Crumpling his blanket and kicking the floor, Nat knew he just couldn’t sleep anymore!” The book offers young readers an accessible and appealing entry point for learning how to reflect on actions, self-soothe, and make amends.

Has all the characteristics of a classic bedtime story.

Pub Date: Sept. 15, 2026

ISBN: 9781953360502

Page Count: 32

Publisher: Gifted Unlimited

Review Posted Online: May 15, 2026

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  • New York Times Bestseller

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THE HUMBLE PIE

From the Food Group series

A flavorful call to action sure to spur young introverts.

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In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.

Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.

A flavorful call to action sure to spur young introverts. (Picture book. 4-8)

Pub Date: Nov. 4, 2025

ISBN: 9780063469730

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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HOME

Visually accomplished but marred by stereotypical cultural depictions.

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)

Pub Date: Feb. 24, 2015

ISBN: 978-0-7636-6529-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Nov. 17, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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