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WICKED GOOD

A funny, frazzled tale of extreme parenting.

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A single mom struggles to solve the puzzle of a son with Asperger’s syndrome in this touching, winsome comic melodrama.

Rory Falcon is a bundle of exasperating eccentricities—perpetual pacing, mile-a-minute talkativeness, an obsession with lawn mowers and antique gas cans, an incorrigible refusal to follow instructions or tolerate constraints—combined with a good heart that only his adoptive mother Archer can see. But as he pushes 16 years old, his quirks escalate to drinking, joyriding and muscular rages that can end with him blackening his mom’s eye. Archer, a frantically multitasking lawyer who’s up for a judgeship, blames her mothering skills for Rory’s behavior because there’s no one else to blame—least of all her ex-husband Wayne, a whiny man-child still looking to break into a theater career. Then Rory and a high-school hellion named Trish hare off in a stolen car to find Rory’s birth mother, and Archer embarks on a journey to recover her son and unearth buried family secrets that stretch all the way back to the Salem Witch Trials. In this entertaining dysfunction romp, the authors cut the pathos with tart humor and vivid characterizations. Hurricane Rory is an indelible portrait of a high-functioning autistic kid who’s both off-putting and magnetic; veering between wild, foul-mouthed tantrums, plangent sweetness and locked-down obliviousness, he’s as much a mystery to himself as to everyone else. Archer is another vibrant tangle of contradictions; determined to play the stalwart authority figure, she feels like a wreck and a failure—a tiger mom who is nonetheless in serious danger of collapsing in vodka-soaked sniffles into the arms of a comforting teenager. As she walks a fraying maternal tightrope—with plenty of pratfalls—Lewis and Faircloth give readers a hilarious and moving study of familial love that’s all the stronger for its conflicts and misgivings.

A funny, frazzled tale of extreme parenting.

Pub Date: March 24, 2011

ISBN: 9781935670971

Page Count: 227

Publisher: Trestle

Review Posted Online: Aug. 4, 2011

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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