Next book

THE MIRACLE OF THE FIRST POINSETTIA

A MEXICAN CHRISTMAS STORY

Oppenheim tells the familiar story of the first Poinsettia (also the subject of picture books by Tomie de Paola and Pat Mora) with a sure hand. Juanita, a poor child in rural Mexico longs for a Christmas gift for the Christ child. A stone angel tells her to pick some weeds; when they’re transformed miraculously into beautiful red flowers, they become the perfect gift. Oppenheim enriches the Mexican flavor by sprinkling Spanish words throughout the text and including a glossary and pronunciation key. A carol (with music and words in Spanish and English), traditionally sung by the mariachis at Christmastime, concludes the story. Negrin’s intense oil-and-wax pastel, colored-pencil, and watercolor illustrations border on the surreal, with their bold use of modeling and contrasting deep blues, reds, and glowing gold. They also provide authentic details and decorations of papel picado, birds, butterflies, and flowers. A Christmas gem. (Picture book. 5-9)

Pub Date: Sept. 1, 2003

ISBN: 1-84148-245-5

Page Count: 32

Publisher: Barefoot Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2003

Next book

HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

Next book

DR. SEUSS'S HOW THE GRINCH STOLE CHRISTMAS...ACCORDING TO MAX!

From the Classic Seuss series

Some readers may like this retooling a lot. / But new insights into the tale it has not.

A dog’s-eye view of Dr. Seuss’ beloved Yuletide tale.

“On the day before Christmas, / In Who-ville Town Square, / Every Who down in Who-ville / Was gathering there.” Here to give his side of the story via a third-person rhyming narrative is Max, a dog familiar to readers of the original book and/or viewers of the animated TV special based on Seuss’ book. It’s a grand idea: Who wouldn’t want a fresh perspective from Max, the Grinch’s long-suffering but loyal companion? The trouble is that aside from trying to alert little Cindy-Lou Who to the Grinch’s advances, Max doesn’t do anything to hinder the Grinch from robbing the town blind, so this version doesn’t lend any real insight to the story. For some readers, this may raise the question: Why not just stick with the original? While this version’s rhymes aren’t as inventive as the good Dr.’s, Heim does a solid job imitating his style; fans of the Grinch TV special will hear Boris Karloff plummily reciting the text, especially wry lines like “At house after house, while the clocks kept tock-ticking, / Old Max watched the Grinch and his sneaky St. Nick-ing.” Ruiz’s art is a fittingly faithful homage. His palette splits the difference between the 1957 book’s visual sobriety and the 1966 television production’s optical intensity.

Some readers may like this retooling a lot. / But new insights into the tale it has not. (Picture book. 5-9)

Pub Date: Sept. 1, 2026

ISBN: 9798217228072

Page Count: 48

Publisher: Random House

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

Close Quickview