No one in this world of selfishness, vengefulness, and obsession seems aware what kind of collateral damage their bad...
Proulx’s (Anthem of a Reluctant Prophet, 2008) dark second novel begins during a frigid Canadian winter that sets the mood for all that follows as the members of a family facing crises on several fronts cope by isolating themselves from each other and behaving recklessly.
On the first page, 17-year-old Finn announces to the reader that he is overpoweringly in love with his former babysitter Jess, with whom he’s been sexually active for months. Unfortunately, 22-year-old Jess is seriously dating Eric, the older brother of Finn’s friend Eli. Drunk, high, and distraught when Jess goes off with Eric at a party, Finn passes out in the snow and ends up losing his right hand. That same night, Finn’s father, Michael, who runs a large real estate management company, and mother, Mia, a banker-turned-photographer, learn that Michael’s partner and supposedly close friend Peter has not only funneled money out of the company, but has also cheated Michael out of his ownership. Instead of spending time with his son, Michael deals with his fury and grief about both his own and Finn’s crises by obsessively practicing baseball with a street kid about Finn’s age, developing a relationship that is creepy and potentially dangerous. Meanwhile, Mia resents that she always has to be the strong one in her marriage and goes on what she calls “unauthorized maternity leave”—really, leave from maternity and matrimony. Both parents are clueless about Finn’s inner turmoil concerning the loss of his hand and about the complex geometry of love triangles involving Finn with Jess, Eric, Peter’s teenage daughter, Frankie (who loves Finn), and Eli (who loves Frankie). Proulx’s teens are sympathetically if sharply realistic, but the ugliness of the adult characters’ behavior bludgeons the reader beyond endurance.
No one in this world of selfishness, vengefulness, and obsession seems aware what kind of collateral damage their bad choices—whether misguided or malevolent—will have on others.Pub Date: Aug. 28, 2018
ISBN: 978-1-5387-1245-0
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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