An insightful exploration of a girl’s inner tickings.
The musical and natural worlds help a tween understand her family and her personal dynamics.
Twelve-year-old Madrigal begins her story in November in a diminuendo mood. Maddie is studying the oboe, the instrument that voices the Duck in Peter and the Wolf, and she is dedicated to improving her technique so she can perform the solo in her school’s winter concert. Her world changes when her older brother, Strum, a college student deeply concerned about the environment, disappears. Maddie compulsively counts objects and believes that even numbers are the best. She is a gifted math student who appreciates order and regularity, eating the same precisely prepared sandwich for lunch every day. January is a month of staccato as Maddie thinks of herself as a fraction, divided from the brother who makes her whole; reflecting his favorite color, she plays Gershwin’s Rhapsody in Blue. She regards February as a month of crescendo when, as a member of the environmental club at school, she visits a blue morpho butterfly exhibit that gives her an idea as to where Strum has gone. The combination of free verse and first-person narrative convey Maddie’s thoughts as she learns to appreciate that both music and family follow strong emotional currents, not just the precision of a metronome. The family defaults to White.
An insightful exploration of a girl’s inner tickings. (Verse novel. 10-12)Pub Date: June 1, 2021
ISBN: 978-0-8234-4862-3
Page Count: 256
Publisher: Holiday House
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
An eminently satisfying story of family, recovery, and growing into manhood.
In this prequel to Newbery Award–winning The Crossover (2014), Alexander revisits previous themes and formats while exploring new ones.
For Charlie Bell, the future father of The Crossover’s Jordan and Josh, his father’s death alters his relationship with his mother and causes him to avoid what reminds him of his dad. At first, he’s just withdrawn, but after he steals from a neighbor, his mother packs a reluctant Charlie off to his grandparents near Washington, D.C., for the summer. His grandfather works part-time at a Boys and Girls Club where his cousin Roxie is a star basketball player. Despite his protests, she draws him into the game. His time with his grandparents deepens Charlie’s understanding of his father, and he begins to heal. “I feel / a little more normal, / like maybe he’s still here, / … in a / as long as I remember him / he’s still right here / in my heart / kind of way.” Once again, Alexander has given readers an African-American protagonist to cheer. He is surrounded by a strong supporting cast, especially two brilliant female characters, his friend CJ and his cousin Roxie, as well as his feisty and wise granddaddy. Music and cultural references from the late 1980s add authenticity. The novel in verse is enhanced by Anyabwile’s art, which reinforces Charlie’s love for comics.
An eminently satisfying story of family, recovery, and growing into manhood. (Historical verse fiction. 10-12)Pub Date: April 2, 2018
ISBN: 978-0-544-86813-7
Page Count: 416
Publisher: HMH Books
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
SEEN & HEARD
The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)
Pub Date: Sept. 30, 1999
ISBN: 0-06-440766-7
Page Count: 162
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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