A punchy, dialogue-driven pirate tale with a dash of romance.
A historical novel offers a swashbuckling adventure set in Jacobean times.
The latest work from Murray (The Roman General, 2015, etc.) takes place at a little-marked turning point in English history. When King James succeeded the aged Queen Elizabeth I to the English throne, he revamped his country’s relations with the kingdom of Spain—including revoking the letters of marque that had allowed the famed Elizabethan “sea dogs” to roam the Spanish shipping lanes committing state-sanctioned piracy at will. The new arrangement cuts these privateers adrift by suddenly making them criminals in the eyes of English law, and nobody is more directly affected than former naval terror James Blackburn (“Blackburn’s maritime skills, sharp instincts, intelligence, expertise and natural leadership ability made him a successful commander and privateer”). He’s now castigated by the same court officials whose pockets he once lined with stolen treasure. One such official, Sir Robert Cecil, scorns such “masterless men, beholden to no one but themselves…hardened, fearless men who lived by instinct, driven onto enemy decks by ambition and the right of pillage.” And the course of the novel bears this out: Blackburn, now a renegade, continues his pirate activities, pursued by both his own countrymen and their erstwhile enemies. Murray laces the narrative—smoothly and expertly paced—with plenty of period research and nautical details of the type that will make fans of Patrick O’Brian and C.S. Forester feel at home, and her scene-setting is lean but effective throughout. All of the cerebral book’s secondary characters are fleshed out with as much texture as Blackburn himself, particularly the scene-stealing Melisande, the strong-willed daughter of a French sea captain. The high-tempered dialogue between Melisande and Blackburn in the wake of the pirate’s capture of her father’s ship at sea is the highlight of the book, providing Murray with an excellent natural device for digging deeper into the buccaneer’s motives and his battered nobility. The rousing novel doesn’t shy away from violence as Blackburn and his men slowly build a pirate fleet out of seized vessels. Although some of these sea action scenes can feel a bit rote, the enthusiasm of the storytelling throughout remains infectious.
A punchy, dialogue-driven pirate tale with a dash of romance.Pub Date: April 1, 2016
ISBN: N/A
Page Count: 326
Publisher: CreateSpace
Review Posted Online: Jan. 31, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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