by Jodi Daynard ‧ RELEASE DATE: Oct. 26, 2012
A clever story of sacrifice and glory during America’s fight for independence.
Daynard, in her debut historical novel, delivers an epic tale of one courageous woman’s adventures during the Revolutionary War.
It’s 1775, and Lizzie Boylston, a newlywed living in Braintree, Mass., finds herself alone in the world after her husband dies in battle. Drawing upon her own fierce intelligence, Lizzie shakes off her grief to create a new life for herself. Lizzie uses her knowledge of medicine to become a midwife who aids women during difficult, high-risk deliveries. The kind and witty Abigail Adams—the wife of Founding Father John Adams—gives Lizzie encouragement and support and proves herself a caring, loyal friend. Lizzie sets aside her envy of Abigail’s marriage, and of other women’s children and families, as she becomes stronger and more self-assured. However, Lizzie’s freedom is put to the test when a man endeavors to court her. Meanwhile, after Lizzie suspects her friend Martha of being a spy for the British, she longs to take part in the colonial cause in any way she can. She finds the strength and courage to become a spy herself and risks everything for her country. Daynard’s dramatic tale cleverly parallels the story of a woman establishing her independence with that of America finding its own, and her portrayal of Lizzie and Abigail’s friendship is particularly endearing. This humorous, exciting and touching story retells the familiar saga of the Revolutionary War in a stunning new way that feels fresh and alive, and Lizzie emerges as a dynamic heroine who pushes against the boundaries of her time.
A clever story of sacrifice and glory during America’s fight for independence.Pub Date: Oct. 26, 2012
ISBN: 978-0615590622
Page Count: 440
Publisher: Opossum Press
Review Posted Online: Dec. 7, 2012
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
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BOOK TO SCREEN
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