A hopeful and encouraging reframing for recent college graduates, if a little cursory and scant on actionable details.
The expansion on a Pulitzer Prize–winning journalist’s commencement address to her alma mater.
In May 2025, Kantor addressed the graduating class of Columbia University. Despite all their much-lauded potential, ambition, and newly conferred prestigious degrees, these seniors were transitioning to working adulthood with much fear, doubt, and existential hand-wringing. Having navigated the Covid-19 pandemic, consuming campus protests sparked by the most recent Israel-Palestine conflict, and the ire of President Trump, they were emerging into a landscape of AI interviews, increased skepticism of authority, and much hemming and hawing about their economic and professional fragility. Dismayed by the ominous aura encircling this generation, the author offers a short, graduation-gift-ready text as an encouraging “letter from an older ally.” Her initial chapters discuss the importance of honing a craft, identifying and addressing larger needs, and challenging the money-passion dichotomy, with examples drawn from both her personal experience and colleagues, recent graduates, and business owners in her orbit. But most of the nuggets in the “series of notes” that round out her text, while gracious and worthwhile, lack the teeth and flesh to give heft to the guidance that the title promises. Sparse bits tease topics like the possibility of nonlinear career paths and healthy employee-employer relationships, about which someone with Kantor’s experience, clout, and investigative chops could certainly offer much more substantial insight. Given that her topic sits adjacent to questions (which the author herself identifies) about the point of higher education itself and the strumming inevitability of turbulence and doom of today’s grim narratives and forecasts, her stubborn insistence on imagining boundless opportunity can feel simplified and rosy. And yet, within this same context, even the author's general exhortation to self-discovery, bravery, and, above all, optimism, also manages to feel restorative, and almost radical.
A hopeful and encouraging reframing for recent college graduates, if a little cursory and scant on actionable details.Pub Date: April 21, 2026
ISBN: 9780316609555
Page Count: 112
Publisher: Little, Brown
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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