A sensible, readable, and, above all, forgiving overview of modern dating.
A series of anecdotes and advice from a veteran of many, many dates.
“Dating for decades isn’t something that people usually tout,” Klein notes at the beginning of her humorous and defiantly upbeat new book. “But why not? Isn’t it better to wait to meet the right partner than to divorce the wrong one?” Such sound logic is a recurring feature of this work, which consists of several tales—some harsh, some infuriating, almost all funny—drawn from her time in the dating world. “Dating takeaway tips” after each story provide postgame analysis, as it were: what went right, what went wrong, what lessons can be learned. No matter what aspect of the dating experience readers love or hate the most, they’ll likely find it somewhere in these accounts. There are endless restaurant dinners with their attendant anxieties and unwanted discoveries, and there are awkward confessions, strained silences, and often bumbling attempts to come up with mutually interesting things to do. But along the way, Klein appealingly offers hard-won wisdom from her own experience, weighing in on such issues as who should pay (“if by not doing ‘the reach’ you find yourself in a ‘check standoff,’ you will have learned something about him”) and what to do when one is stood up (“The best antidote to a bad date, or a no-show, is quality time with a girlfriend, a BFF, a family member, or someone else who cares about you”). Readers will likely come to this book for the intriguing stories, but they’ll stay for the supportive common sense that the author dispenses, and they’ll appreciate her compassionate tone throughout.
A sensible, readable, and, above all, forgiving overview of modern dating.Pub Date: Sept. 14, 2021
ISBN: 978-1-64-742185-4
Page Count: 256
Publisher: She Writes Press
Review Posted Online: June 8, 2021
Kirkus Reviews Issue: Aug. 1, 2021
Review Program: Kirkus Indie
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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