A warmhearted exploration of modern love with considerable psychological and philosophical insights.
In this coming-of-age novel set in 1995, a young woman starting graduate studies struggles with the vagaries of relationships, sexual orientation, and faith.
At the age of 23, Rachel Levine moves to Boston to begin a doctoral program in clinical psychology and to live with her 86-year-old grandfather, an observant Jew coping with the loss of his beloved wife. The two have a close bond, and Rachel serves as a needed companion but must keep parts of her life hidden. While she regularly accompanies Zayde (the Yiddish word for grandfather) to his synagogue, she is under strict instructions from her mother not to reveal to him her bisexual orientation. When she falls headlong into a passionate relationship with Liz Abraham, a brilliant young member of the congregation, she conceals it from him. The book examines the shifting plates of the religious community—more involvement of women and non-Jews in the rituals, to the consternation of Zayde. In her clinical training, under careful supervision, Rachel is learning how to enable her patients to handle change in their lives. Meanwhile, she becomes increasingly anxious about the uncertainties she faces. She is not confident about Liz’s commitment to her; her parents are uncomfortable with her bisexuality; and she fails to foresee some serious problems with a favorite patient. Her own experience with a skilled therapist grants her tremendous insights as she navigates some very rough waters. Rosenfeld’s novel is framed by events from 2019, indicating that Rachel has successfully achieved significant career and personal goals. Much time is spent on elaborate discussions of Jewish observance and beliefs, such as washing and sitting with a body between death and burial. The pacing flags at times for secular readers when these descriptions venture into the esoteric. The early romance of Rachel and Liz is a high point described with humor and zest. On an early date, Rachel explains to Liz that she doesn’t like spicy dishes but does love trying new foods, with the unspoken subtext: “I’m not into leather but don’t think that means I’m boring in bed.” The book’s descriptions of psychological disorders and treatments, such as obsessive-compulsive disorder, are informative and extremely readable. Rachel’s therapist, Kevin Miller, summarizes the story’s message succinctly: “Rachel, the notion that we can have complete certainty about anything is a lie.”
A warmhearted exploration of modern love with considerable psychological and philosophical insights.Pub Date: May 25, 2021
ISBN: 978-1-64742-059-8
Page Count: 280
Publisher: She Writes Press
Review Posted Online: Dec. 22, 2020
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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