Wing, no stranger to clunky phrasing (Stacey and her housekeeper sit “reasonably companionably”), nevertheless has good fun...
An effective, if not wholly original first novel, about the shark-infested waters of Hollywood—and that would be mostly lady sharks.
It’s the end of 2001 and nice girl Stacey is preparing for Mayor Rudy Giuliani’s staff farewell party. What begins as a celebratory evening ends with a bombshell: the conglomerate her fiancé works for has acquired a movie company and they’re moving to Los Angeles. It shouldn’t be too bad—a house in Beverly Hills, year-round sunshine, a happy husband—but for this independent New York girl, all she can imagine is the worst, and as luck would have it, that’s what she gets. The main obstacle between Stacey and happiness is Julia and Simon Mallis, the old owners of Pacificus. Kept on as consultants until the end of the next year, they begin waging war at Jamey and Stacey’s New York wedding (they rearrange the seating cards and take over as the entertainment). With Sun Tzu’s The Art of War in hand, Simon intends to have it all—cash from the company’s buyout and a hands-on role in its running. Unfortunately the battle moves to the home front and Stacey is the sole combatant. Wing skewers the absurdities of Hollywood life, and there is an abundance of raw material: charity benefits for odd diseases (helping excessively sweaty children is the cause du jour), daily color consultations (one wouldn’t want to show up at the Polo Lounge in chartreuse when clearly it’s a magenta day) and the oh-so-necessary study of Kabbalah. Stacey’s new social circle of Hollywood wives live a sad, parasitic life; their sole source of accomplishment is in one-upping each other in designer goods and plastic surgery. When Jamey and Stacey discover their house has been bugged, Stacey hatches a plan that will finally rid them of the comically malevolent Simon and Julia.
Wing, no stranger to clunky phrasing (Stacey and her housekeeper sit “reasonably companionably”), nevertheless has good fun with the wackiness of Hollywood lives.Pub Date: Nov. 18, 2008
ISBN: 978-0-06-156824-4
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2008
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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