by Jody Hobbs Hesler ‧ RELEASE DATE: N/A
A beautiful fictional exploration of a troubled family history.
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Hobbs Hesler offers intertwined stories of a woman and her niece, who both deal with mental illness and generational trauma.
Nonie, an imaginative, kind, and generous person, feels unlovable, alone and adrift. Growing up in the 1960s,she suffers from “shivers” and “sadness” that only intensify as she gets older. Her mother is rigid and unyielding as she attempts to save the child from the same fate as her depressed uncle, but she’s unsuccessful; Nonie dies by suicide at the age of 27. Her sister, Ruth, wrestles with the guilt of being unable to save her younger sibling, ruminating regularly about what more she could have done. Ruth’s daughter, Noreen, misses Nonie terrible, as her aunt Nonie always had a candy bar for her, played on the tire swing, and laid back and gazed at the clouds by her side. Noreen analyzes her loved one’s suicide and integrates the tragedy into her own sense of self while navigating a lonely adolescence; later, she finds herself clinging to a bad marriage, as if it’s a ballast against a storm. She’s afraid to tell anyone, but she gets “jitters” like her aunt did, and she has “cloud days” when she feels untethered from the world; her mother fears that Noreen is headed for a tragic fate, as well, and this weighs heavily on the young girl. Hobbs Hesler’s deeply felt narrative explores mental health, grief, feelings of being misunderstood, and complex family and friend relationships with nuance and care. Clean prose and effective imagery (such as Noreen’s “fleeting sense that the world’s orbit is about to hiccup and hurl her into nothingness to fall and fall and fall and never land again”) fully immerse the reader into Nonie and Noreen’s inner worlds. Throughout, the novel empathetically depicts decades-spanning effects of trauma, and the different ways that its main characters manage them.
A beautiful fictional exploration of a troubled family history.Pub Date: N/A
ISBN: 9798988721383
Page Count: 307
Publisher: Flexible Press
Review Posted Online: May 21, 2025
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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