by Joe Barrett ‧ RELEASE DATE: April 20, 2023
An absorbing tale of friendship that’s endearing as often as it’s unabashedly riotous.
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The lives of the owner of a house-painting business and a teen runaway intersect in Barrett’s comic novel.
Waking up next to a dead woman would unsettle most people. But 31-year-old Sammy Davis Junior (Junior is his surname) is more worried about making it to Saturday brunch. His apparent apathy regarding the late bedmate—his regular hookup for the past month—makes South Tampa Det. O’Hare suspicious. Elsewhere, Penny Sullivan, torn up by guilt over her big sister, Catelyn’s death, has run away from home to evade boarding school. The 15-year-old travels under her sister’s name and feigns the background of a Canadian backpacker. Looking for a place to squat, Penny enters the orbit of a house-painting crew, a business Sammy and his two friends have run since high school. As she joins them on a multiday gig at the same location where she’s secretly bunking, Penny unexpectedly bonds with the older men. They play silly games, like dreaming up the most offbeat haiku, and execute well-planned pranks on local businesses. Penny and Sammy are more alike than either of them realizes; they both have father issues—Penny is certain her father doesn’t care about her, and Sammy resists taking over the multinational family business, despite his father’s wishes. The two must come to terms with their personal relationships as well as their more practical circumstances, as people are searching for Penny, and Sammy, even with his father’s “expensive lawyers,” is still tied to someone’s death.
Barrett’s story definitely has its share of morbid humor—despite the body in his bed, Sammy is blasé during the detective’s interview: “I think we’re all pretty shaken up by this whole scene,” he says. “So, I can go now?” Lowbrow jokes also pop up on occasion, including a particularly gross scene involving beer that no one should drink. The characters practically burst with personality, especially Penny, Sammy, and Sammy’s co-owners, Mealy and Beer. Penny, who’s lost both her mom and sister, has no friends, and these men offer the camaraderie that she needs. Most of their pranks, even when they cause a ruckus at a deli or a fast-food restaurant, are genuinely funny and not malicious. As much of the bonding between Penny and the crew occurs while they’re painting a house, dialogue-laden scenes are abundant. These are moments for characters to pass the time with games and trading off quips, but the author doesn’t neglect to develop the story as well, as Penny seems to gain a fondness for Mealy, who shows her kindness from the very beginning. All of that dialogue, presented in brief chapters alternating between narrators Penny and Sammy, stokes the brisk narrative pace. The final act effectively wraps up the protagonists’ individual stories, though Penny’s is the more convincing and rewarding of the two. The denouement is a bit of a swerve but unquestionably memorable.
An absorbing tale of friendship that’s endearing as often as it’s unabashedly riotous.Pub Date: April 20, 2023
ISBN: 9781685131821
Page Count: 291
Publisher: Black Rose Writing
Review Posted Online: May 11, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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