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APOLOGIZING TO DOGS

Thirty years” worth of secrets, most having to do with sex and love, are exposed in the course of one frantic day in this deftly plotted mix of comedy and romance. The amorous revelations at the heart here have to do with the denizens of Worth Row, a frayed street of antique shops in Fort Worth. The defacto leader of the community is middle-aged Nadine, who sells vintage clothes and labors under the shadow of her formidable mother, now dead, the community’s driving force for decades. Carl, a cabinet maker, pines for the distracted Nadine. He’s been secretly dismantling his house, from the inside out, using the beautifully aged cedar of its floors and walls to build a sailboat on which to carry Nadine away. The keeper of the street’s many secrets is Howard, a dealer in scavenged architectural oddments. Ancient, duplicitous Howard, fearing death, begins to pour out to good-natured Mose a litany of his sins, many having to do with the street. He has, for instance, been blackmailing the frosty Mr. Haygood, who peddles antique toys, and Mazelle, who sells used books, to keep their three-decade affair a secret (they meet in a secret chamber under their adjoining houses). More painfully for Mose, a vintage-radio and TV salesman, he claims to have had an affair with Nadine’s mother, for whom Mose nursed an unrequited love. Other residents drawn into the revelations include Mazelle’s long-suffering husband, Mr Haygood’s abused wife, a devoted gay couple, and Effie, who has some nasty secrets of her own. Howard’s revelations become general knowledge when a storm drives them all together in Haygood’s hidden chamber. The neighbors are all, in varying ways, forced to come to grips with their secrets and desires. Coomer (Beachcombing for a Shipwrecked God, 1995, etc.) manages it all with a surprisingly light, often witty, touch, making even the hectic climax, in which rewards and punishments are meted out, seem more droll than dolorous. A sharply observant and engaging entertainment.

Pub Date: Oct. 1, 1999

ISBN: 0-684-85946-7

Page Count: 288

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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