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The Shoe Burnin'

STORIES OF SOUTHERN SOUL

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A charming collection of poetry, stories, essays and music shared by storytellers, for storytellers, at an annual Southern gathering—the Shoe Burnin’.
In this unique assortment of poetry, prose, memoir, music and more, editor Formichella (Whores for Life, 1997) introduces readers to one of the South’s worst-kept secrets: the Shoe Burnin’, an event spawned by a drinking binge and a burn pile fueled by a box of old footwear. Now an annual Thanksgiving tradition taking place just outside Fairhope, Alabama, the Shoe Burnin’ hosts Southern writers eager to share stories with their peers over a pile of burning canvas and leather. Collected here, thanks in no small part to curator and contributor Shari Smith, are the works of some of these gatherers, a multimedia experience of more than 20 stories along with an accompanying CD presenting several of those tales in spoken word form, alongside songs influenced by the traditions of blues, soul, country and folk music. Each story is a balance of crass and colorful, hip and quirky, some featuring straightforward narratives while others amble, attempting to capture something more ethereal. There’s a surprising level of inclusiveness as well, with numerous female authors, the integration of other cultures and, in Marlin Barton’s “Short Days, Dog Days,” the mash-up of a man dealing with his daughter’s lesbianism and a floating light, illustrating the begrudging changes to Southern values. Other tales convey familiar country archetypes with modern-day twists, perhaps the most notable being Suzanne Hudson’s “All the Way to Memphis,” featuring a murderous housewife picking up an ADHD-stricken hitchhiker who turns her on to a sort of morbid self-actualization. The repetition of shoes in each story, the theme that ties it all together, can seem pat at times, but focusing overmuch on that would be missing the point; the shoes are merely an excuse, a gateway for the storytellers to share with their fellow storytellers as the footwear fire burns.

A charming assortment that, for some readers, could retune the meaning of Southern.

Pub Date: Nov. 1, 2013

ISBN: 978-1940595009

Page Count: 216

Publisher: River's Edge Media

Review Posted Online: July 28, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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