A charming collection of poetry, stories, essays and music shared by storytellers, for storytellers, at an annual Southern gathering—the Shoe Burnin’.
In this unique assortment of poetry, prose, memoir, music and more, editor Formichella (Whores for Life, 1997) introduces readers to one of the South’s worst-kept secrets: the Shoe Burnin’, an event spawned by a drinking binge and a burn pile fueled by a box of old footwear. Now an annual Thanksgiving tradition taking place just outside Fairhope, Alabama, the Shoe Burnin’ hosts Southern writers eager to share stories with their peers over a pile of burning canvas and leather. Collected here, thanks in no small part to curator and contributor Shari Smith, are the works of some of these gatherers, a multimedia experience of more than 20 stories along with an accompanying CD presenting several of those tales in spoken word form, alongside songs influenced by the traditions of blues, soul, country and folk music. Each story is a balance of crass and colorful, hip and quirky, some featuring straightforward narratives while others amble, attempting to capture something more ethereal. There’s a surprising level of inclusiveness as well, with numerous female authors, the integration of other cultures and, in Marlin Barton’s “Short Days, Dog Days,” the mash-up of a man dealing with his daughter’s lesbianism and a floating light, illustrating the begrudging changes to Southern values. Other tales convey familiar country archetypes with modern-day twists, perhaps the most notable being Suzanne Hudson’s “All the Way to Memphis,” featuring a murderous housewife picking up an ADHD-stricken hitchhiker who turns her on to a sort of morbid self-actualization. The repetition of shoes in each story, the theme that ties it all together, can seem pat at times, but focusing overmuch on that would be missing the point; the shoes are merely an excuse, a gateway for the storytellers to share with their fellow storytellers as the footwear fire burns.
A charming assortment that, for some readers, could retune the meaning of Southern.
Pub Date: Nov. 1, 2013
ISBN: 978-1940595009
Page Count: 216
Publisher: River's Edge Media
Review Posted Online: July 28, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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