An amusing twist that will make readers wonder about the meaning of a really well-trained crocodile.
Cindy Lou and her miniature poodle Fifi become just desserts at the school pet show.
Kulka introduces readers to Ernest as Ernest is introducing his pet crocodile, Gustave, to his friends while they get ready for the school pet show. Cindy Lou, a sniffy brat, says that Gustave should be banned. “What a stupid pet….He’ll bite everybody!” His crocodile doesn’t bite, says Ernest. He is well-behaved and does tricks, like juggle and ride a unicycle. But Cindy Lou keeps up her barrage of insults—and dastardly deeds like tripping Gustave—her face screwed into a rictus of disdain. She is such a nasty, sneering piece of work that it comes as a pleasure when she accidentally bounces a ball into Gustave’s maw. Cindy Lou and Fifi enter in pursuit, and well, it turns out that Gustave may not bite, but he has a great capacity to swallow. Au revoir, Cindy Lou, ma chère. Kulka softens the story at the very end, though it still packs a surprising punch. There is a pillowy softness to Gustave, though the rest of the characters have a crisp gaiety, all but you-know-who—Kulka draws Cindy Lou very broadly; still, into every life a Cindy Lou will fall.
An amusing twist that will make readers wonder about the meaning of a really well-trained crocodile. (Picture book. 5-9)Pub Date: March 1, 2013
ISBN: 978-0-7613-8937-8
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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