by Joe Kulka ; illustrated by Joe Kulka ‧ RELEASE DATE: Sept. 1, 2015
It’s hard to dig up a new angle on Santa’s cast of helpers, but the Coal Man is a nugget of originality.
A new helper for Santa is introduced as an elderly, elfin man who provides the lumps of coal for the stockings of naughty boys and girls.
Each year the Coal Man searches through his coal mine with the help of his pet canary and his hardworking mule, gathering enough coal to sell to Santa for Christmas deliveries. The Coal Man wants to retire to a tropical island with his pets, but he can’t afford to quit working. This year, when they deliver their annual load to the North Pole, Santa announces that he will stop giving out lumps of coal, as the negative disciplinary tactic isn’t working. Instead, Santa wants to try a special positive reward for the well-behaved children. The depressed Coal Man is sent away with one bag of coal as a souvenir, but when he slips on the ice, the lumps of coal spill out into the snow, mysteriously transformed into huge diamonds. The Coal Man retires to his island, working for Santa painting shells to tuck in the stockings of “the best good boys and girls.” Humorous illustrations, a large trim size, and double-page–spread format make this a good choice for reading aloud to a group. The full-bleed artwork uses a dark palette of purples and blues, with vibrant flashes from Christmas lights, firelight, and the northern lights illuminating the Coal Man’s exciting discovery of his Christmas gift from Santa.
It’s hard to dig up a new angle on Santa’s cast of helpers, but the Coal Man is a nugget of originality. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-1-4677-1607-9
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
by Alice Walstead ; illustrated by Andy Elkerton
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by Adam Wallace ; illustrated by Christopher Nielsen
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Jan. 2, 2024
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity.
A holiday-centered spinoff from the duo behind the inspired The Day the Crayons Quit (2013).
With Green Crayon on vacation, how can the waxy ones pull off a colorful St. Patrick’s Day celebration with Duncan, their (unseen) owner? Through their signature combo of cooperation and unwavering enthusiasm, of course. Blue and Yellow collaborate on a field of shamrocks that blends—however spottily—into green. Nearly invisible White Crayon supplies an otherwise unclothed light-skinned leprechaun with undies, and Orange draws a pair of pants that match the wee creature’s iconic beard and hair. Pink applies colors to a vest, and Purple, a natty jacket and boots. Chunky Toddler Crayon contributes a “perfect” scribbly blue hat; Beige and Brown team up for the leprechaun’s harp. In arguably the best bit, Black exuberantly manifests a decidedly unvariegated rainbow, while Gold’s pot of coins is right on the money, hue-wise. Their ardor undimmed by the holiday’s missing customary color, everyone assembles to party. Though the repartee among the crayons isn’t as developed as in previous outings, the book hews close to Daywalt and Jeffers’ winning formula, and there’s still enough here to keep readers chuckling. And, in a droll “wait for it” moment nicely calibrated for storytime, Green returns from vacation, sunglasses and suitcase in hand: “Did I miss anything while I was gone?” (The cover illustrations do hint at some Green-inflected remediation.)
A predictable series entry, mitigated as usual by the protagonists’ perennially energetic positivity. (Picture book. 4-6)Pub Date: Jan. 2, 2024
ISBN: 9780593624333
Page Count: 32
Publisher: Philomel
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by Drew Daywalt ; illustrated by Alex Willmore
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by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt ; illustrated by Oliver Jeffers
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