by Joe Lee Janssens ‧ RELEASE DATE: Nov. 20, 2015
A remarkable examination of the Mexican Revolution that should be regarded as a watershed contribution to the field.
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A debut book provides the first comprehensive account of military operations during the Mexican Revolution to appear in English.
For reasons both practical and ideological, history scholars have long neglected to rigorously study the Mexican Revolution as a uniquely interesting military event. Instead, it has been interpreted as little more than the stage for unsophisticated guerrilla actions. In this work, Janssens dismantles that long-held prejudice, arguing that the full spectrum of conventional warfare was on display, including genuinely masterly strategy. The book subdivides into three sections, or “volumes,” that neatly correspond to the three successive phases of the war: the initial rebellion spearheaded by Francisco I. Madero, the grand-scale mutiny against the Huertista regime, and the final year, in which the revolution devolved into civil war. The author also challenges the prevailing view regarding the role the U.S. played in the revolution, acknowledging its significance as a source of influence but debunking the theory that it determined Mexico’s fate like a puppet master. This requires a searching examination of American policies and interests, which shift in various ways over the course of two presidential administrations. Finally, Janssens analyzes the fluid contours of what he refers to as the “Defense Establishment,” an investigation that hinges upon a historical understanding of modern warfare in general. The author was granted access to Mexico’s official defense archives—a rare coup—and the breadth of literature on the Mexican Revolution he considered is dizzying. Janssens, clearly intent on breaking new scholarly ground, spiritedly attacks the conventional theories regarding the genesis of the revolution; of particular interest is his discussion of the limitations of a reductively Marxist interpretation. The author openhandedly acknowledges that such a mountain of minutiae might exhaust the reader’s patience; it often seems as if the goal of comprehensiveness comes at the expense of readability. This is certainly not for the casual reader looking for a breezy introduction. The monograph, ambitiously designed to be both encyclopedic and iconoclastic, succeeds on both grounds. It is hard to imagine a study more sweeping in scope, more liberated from the regnant ideologies, or more scrupulously researched. It is unfortunate that its length (698 pages) and obsessive details will likely prove prohibitive to all but the most tenacious professionals.
A remarkable examination of the Mexican Revolution that should be regarded as a watershed contribution to the field.Pub Date: Nov. 20, 2015
ISBN: 978-0-9964789-0-8
Page Count: 738
Publisher: Revolution Publishing
Review Posted Online: Feb. 8, 2016
Kirkus Reviews Issue: March 15, 2016
Review Program: Kirkus Indie
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
BOOK REVIEW
by E.T.A. Hoffmann & illustrated by Julie Paschkis
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