Not for kids, though adult readers should take some pleasure knowing that they’re better off than Matt, at least as depicted...
The cartoonist tests the limits of pathetic self-absorption in a volume that should appeal to his cult following but is unlikely to expand it.
The work of graphic-diarist Matt (Peepshow, 2003) is practically review-proof, for any criticism one could make he has already flagellated upon himself. His obsessive focus remains the life of Matt, though even he questions why anyone else could possibly be interested. He’s geeky (at least within these drawings) even by the standards of his fellow geek-comics, who are the closest thing he has to friends, though they spend most of their time together either criticizing or ridiculing him. During the mid-1990s, as detailed in these panels, he lives in a Toronto flophouse with a shared bathroom (which he generally avoids in favor of a bottle in his bedroom). He’s consumed with his collection of bootleg pornography, which he has painstakingly edited into marathon video anthologies of the “good” parts. He masturbates eight or ten times a day, leaving less time, energy and inspiration (as the title suggests) for the graphic narratives that barely earn him a living. Fortunately, for a man of meager income, he’s notoriously cheap. He laments the girlfriend he lost and wishes he had another, though he’s unsure whether such flesh-and-blood complications would be worth sacrificing his porn collection. On video, he favors submissive Asian women; out the window, he fixates on schoolgirl uniforms and wonders whether he might be a pedophile. Interspersed with ruminations on Matt’s tawdry adult existence are flashbacks to his Pennsylvania boyhood that provide some clues as to how he ended up this way. The spirit of the underground era lives in these comics, which make no attempt at graphic-novel respectability.
Not for kids, though adult readers should take some pleasure knowing that they’re better off than Matt, at least as depicted here.Pub Date: May 1, 2007
ISBN: 978-1-897299-11-1
Page Count: 120
Publisher: Drawn & Quarterly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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