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THE DELIVERY MAN

With no likable characters, its difficult to know who to root for, which makes the stream of parties, car rides and hotel...

A bleak portrait of a group of young Las Vegas natives—the author’s debut.

Growing up the son of a single mother who worked nights in the casino, Chase always thought he would be the one to escape Vegas. For a while, he does, matriculating at NYU, where he meets his go-getter girlfriend, Julia. But something draws him back. After finishing college at UNLV, Chase is now half-heartedly teaching high-school art by day, and by night cavorting with childhood friends Bailey, Hunter and Michele, who have been involved since high school in a high-stakes prostitution ring. After a rumble with a student, Chase loses his teaching gig and plunges further into their world, which is especially dangerous when Julia comes to town for a business-school conference and gets a feel for Chase’s world. Chase feels particularly protective of the beautiful Michele, and acting as her driver seems to have less to do with the money and more with keeping an eye on her. This is understandable, particularly given Chase’s flashbacks to their high-school years, when the foursome had another member—Chase’s troubled sister Carly. Carly’s demise (from a drug overdose) was also Chase’s, and it is guilt that keeps him from the success he might have otherwise had. But this doesn’t account for his acceptance of Michele’s fate, or his inertia when he sees two of his own former students sucked into the same web of trouble. And though Julia has stuck with Chase through countless personal crises, an unexpected pregnancy finally forces the issue and makes Chase see that Las Vegas is his home, and despite all the trouble it brings him, he doesn’t want to leave.

With no likable characters, its difficult to know who to root for, which makes the stream of parties, car rides and hotel rooms seem nearly endless.

Pub Date: Jan. 1, 2008

ISBN: 978-0-8021-7042-2

Page Count: 288

Publisher: Black Cat/Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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THE SEARCH

A little slower-paced than the typical Roberts romantic mystery (Black Hills, 2009, etc.) but every bit as steamy. It may...

A dog trainer and a wood craftsman dance around love and danger in the Pacific Northwest.

Fiona Bristow is the only victim who got away from serial killer George Perry. Now a copycat, inspired and perhaps guided by the jailed Perry, is on her trail. After Perry murdered her fiancé, Fiona rebuilt her life as a dog trainer and search-and-rescue expert on lovely Orcas Island. She’s recently met talented woodworker Simon Doyle and his misbehaving puppy Jaws, and her dormant love life is about to revive as she and the reluctant Simon slowly build a complicated relationship. Though she’s done her best to overcome her fears and make herself whole again, this new series of killings, with herself as the ultimate target, can’t help but strain her nerves. As the police and FBI track the killer, a persistent reporter makes Fiona’s life more difficult by printing information about her life and location. Through it all, Fiona keeps working. As she continues to go on rescue missions with a team that may soon include Simon and Jaws, her friends help to keep her balanced. But ultimately it will be the trust she has built up with Simon and the talents of her dogs that will change her life forever.

A little slower-paced than the typical Roberts romantic mystery (Black Hills, 2009, etc.) but every bit as steamy. It may well add dog lovers to her legion of fans.

Pub Date: July 7, 2010

ISBN: 978-0-399-15657-1

Page Count: 496

Publisher: Putnam

Review Posted Online: March 6, 2011

Kirkus Reviews Issue: April 15, 2010

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ON EARTH WE'RE BRIEFLY GORGEOUS

A raw and incandescently written foray into fiction by one of our most gifted poets.

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A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.

When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.

A raw and incandescently written foray into fiction by one of our most gifted poets.

Pub Date: June 4, 2019

ISBN: 978-0-525-56202-3

Page Count: 256

Publisher: Penguin Press

Review Posted Online: March 17, 2019

Kirkus Reviews Issue: April 1, 2019

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