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THE UNKINDEST CUT

HOW A HATCHET-MAN CRITIC MADE HIS OWN $7,000 MOVIE AND PUT IT ALL ON HIS CREDIT CARD

Despite the lame, misleading title, a wry, even occasionally useful, real-life satire on low-low-budget moviemaking. With Robert Rodriguez's alleged $7,000 budget for El Mariachi in mind, film critic Queenan (If You're Talking To Me, Your Career Must Be in Trouble, 1994, etc.) often joked about making a movie for $6,998. But this goof turned serious when, in one three-week burst of semicreativity, Queenan actually cranked out a 90-page script, a satire of the recovery movement titled Twelve Steps to Death. Directing classes soon followed, and Queenan wore out his VCR looking for good scenes to steal from other films. Using only utterly nonprofessional actors (his Tarrytown neighbors), semiprofessional technicians, and dubious rented equipment, Queenan set off on a nine-day film shoot. Despite his amateurism and a host of disasters, he kept a fairly firm grip on the production in every area except the budget. By the time the film premiered as the only entry at the self-sponsored Tarrytown International Film Festival, Queenan had spent nearly $60,000. Winning the festival's coveted award, Le Chevalier Sans Tàte en Or (The Golden Headless Horseman), was thin compensation. Still undistributed, the film has yet to earn back even a penny of its cost. While Queenan, a poor man's P.J. O'Rourke, has a well-turned sense of humor, both this book and the movie it is built around (the full-length script is included) fall substantially short of Hollywood's three-laughs-to-a-page standard. But Queenan is to be commended for showing the lighter side of such expensive pratfalls and for airily distilling so much practical how-not-to advice. Along with Final Cut and The Devil's Candy, one of cinema's great cautionary tales. (First serial to Esquire)

Pub Date: Feb. 8, 1996

ISBN: 0-7868-6090-1

Page Count: 304

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1995

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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