A well-written, imaginative tale of humans, aliens, and the choices they face.


Under extraterrestrial surveillance, the human race grapples with an ancient, deadly threat in this sci-fi novel.

In the year 2120, aliens called the Cephians arrive in Earth’s solar system. Representing a band of spacefaring species called the Plexus Mosaic, the Cephians are on a mission to evaluate whether humanity is ready to be admitted to the group and have access to its vast store of knowledge. But after 40 years of observation, the Cephians haven’t made a decision, and some people are starting to chafe under the scrutiny. Not astrobiologist Shana Savarino—one of her closest friends is a Cephian colleague who goes by the nom de terre Charles Darwin. Then a team of scientists studying an asteroid crater in the Yucatán discovers a mysterious artifact miles below the Earth’s surface. Awakened by subterranean nukes, the underground object stealthily studies humanity’s technology and psyche, eventually emerging in New York City in the terrifying form of a dragon; the resulting conflict will kill millions worldwide. The Cephians reveal that it’s an Archmage Sequencer, planted eons ago by a race of beings “beyond space, matter, and ordinary awareness.” Originally designed to protect Earth, not destroy it, the Sequencer was damaged by a long-ago galactic war—now, it’s fighting an internal battle between annihilating rage and the “indomitable bright point” of its true purpose. Humanity, too, must choose: between trust and xenophobia, between violence and empathy—and Shana, already able to find friendship across species, may be the only human who can tame the Sequencer and save the world. Sharcoff’s (Draconis, 2000) artfully crafted novel is both action-packed—full of epic battle sequences and the highest of stakes—and quietly philosophical, paralleling the “flaw” of the Sequencer with humanity’s own innate propensity for violence. His worldbuilding is often skillful, although culture and character receive less attention than technology (“With compact fusion pods and artificial intelligence,” the Global Defense Force “skycruiser in all its variety—including its top-dog cousin, the voidfighter—became the backbone of humanity’s military might”). But when he provides glimpses of the smaller picture, the details are intriguing enough that readers will likely want more—for instance, Shana’s “Mandarin skirt suit” and the Cephians’ nonhumanoid bodies, resembling giant leaves with “starfishy fingerlegs.”

A well-written, imaginative tale of humans, aliens, and the choices they face.

Pub Date: Feb. 2, 2018

ISBN: 978-1-5320-3528-9

Page Count: 294

Publisher: iUniverse

Review Posted Online: May 23, 2018

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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