A sweet, albeit by-the-book, tale of human connection.
A sick young boy and an elderly man looking for something to live for form a deep bond in this debut novel.
Murray McBride is turning 100, but he’s in no celebratory mood. Still mourning the death of his beloved wife, Jenny, 18 months ago, Murray feels his life has run its course. He’s outlived not only his wife, but also his two sons, who died after long lives. His only remaining family, his grandson, Chance, seems to only be after his money. Murray’s Roman Catholic faith has been the main thing keeping him from suicide recently, but he resolves to make his 100th birthday the last day he takes the daily pill his lungs need to function, figuring such a death doesn’t really count. Vaguely hoping to comfort the ailing on his last full day, Murray wanders into a local heart ward and meets someone who changes his life: 10-year-old Jason Cashman, who desperately needs a transplant and must tote around an oxygen cart. After Jason leaves the hospital with his cold, money-driven father, Murray finds a list of the boy’s five wishes to be granted before he dies. Murray mourns lost time spent with his own sons due to his professional baseball career with the Chicago Cubs, and sees an opportunity to atone. With the assistance of Jason’s wise-beyond-her-years neighbor, Tiegan Rose Marie Atherton, Murray sets out to help the boy kiss a girl, hit a home run, and fulfill his dreams. Siple’s plot devices, messages, and character types will feel very familiar to fans of Hallmark movies and other inspirational tales, and these predictable beats mean his players sometimes feel more like moving cogs than fully complex human beings. But his story is still readable and well-told. Murray’s struggle to find meaning after outliving almost everyone in his life who mattered to him is one of the book’s most sensitively rendered elements. Jason’s reckoning with mortality provides some touching moments as well. But Siple struggles to capture the speech and mannerisms of a 10-year-old boy (Jason’s emails and ebullient statements are peppered with “Schweet!” and “Dude!”), which limits his impact as a character.
A sweet, albeit by-the-book, tale of human connection.Pub Date: June 28, 2018
ISBN: 978-1-68433-040-9
Page Count: 234
Publisher: Black Rose Writing
Review Posted Online: April 17, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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