Weber (Targets of Opportunity, 1993) takes a vicious stab at Japan-bashing in a clunky, to-the-ends-of-the-earth thriller that makes the yellow peril in Michael Crichton's Rising Sun seem positively benign. When a gunbearing helicopter (painted in the colors of a local TV station) strafes Japanese tourists aboard a cruise ship near Hawaii's Pearl Harbor, America's already frayed relations with Dai Nihon take another turn for the worse. Concerned about counterattacks, White House insiders assign senior CIA officer Stave Wickham and FBI agent Susan Nakamura to the case. Before the two can even start their inquiries, however, a group of US sightseers is ambushed in Osaka. The intrepid, globe-trotting feds soon learn (but cannot prove) that Tadashi Matsukawa (a billionaire businessman intent on making Japan a military as well as economic superpower which will brook no interference from its erstwhile conqueror) is responsible for these and other terrorist acts that have heightened East/West tensions. While persuading Tokyo's shifty mandarins to stand fast against an increasingly obdurate Washington, the vaultingly ambitious industrialist dispatches assassins to kill the odd couple as they jet about the Asian-Pacific Basin in pursuit of the evidence that could expose him and his nefarious schemes. Although the dynamic duo survive all attempts on their lives, miscalculations on both sides of the geopolitical cheessboard produce an escalation that results in the sinking of a US carrier and nuclear submarine in the strategic Strait of Malacca. Wickham and Nakamura finally beard their renegade lion in his Marunouchi den, obliging an abashed Japan to back away from a climactic confrontation with America. At the close, wily Oriental gentlemen are again conspiring to rule the world by force of arms and commercial might. With some of the most stilted (and didactic) dialogue this side of Tom Swift, plus over-the-top plotting, an episodic exercise whose appeal appears limited largely to confirmed Japanophobes.
Pub Date: March 23, 1994
ISBN: 0-399-13939-7
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1994
BOOK REVIEW
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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