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THE ENTIRE SKY

It’s a novel of flight or fight, of finding family and a home and a reason to live.

In desolate, scenic Montana, this novel of lost souls shows them finding themselves in each other.

The ghost of Kurt Cobain pervades Wilkins’ story. A broken Seattle family and a brutal uncle have sent 16-year-old Justin on the road to nowhere, looking to get away. A sensitive soul, he idolizes Cobain, looks a lot like him, even sounds like him when he plays his guitar. He feels like a misfit, and when he learns of the Nirvana frontman’s suicide, he’s devastated. The narrative alternates between Justin’s vagabond adventures and the lonely depression of Rene, a rural Montana rancher with strong principles and a body that’s breaking down. He’s recently lost his wife to cancer after losing a son to suicide. Daughter Lianne, who’d taken time off from teaching at a community college to nurse her mother, feels compelled to stay and look after her dad. She faces her own existential crisis after her husband and sons return home to Spokane. As the novel switches between sections of present (“April, 1994”) and past (“Before”), it seems that the stories of all three include secrets they would rather not share. It also seems structurally inevitable that Justin’s wanderings will lead him to Rene’s ranch. Though some of the thematic parallels seem belabored and peripheral characters veer toward caricature, the novel is emotionally powerful and richly descriptive, rapturous in its evocation of the big skies and vast expanse and the lives that have come to seem so small and empty. As Justin becomes Rene’s helper, the boy he’s found reminds the rancher of the son he lost. “These past days on the old man’s ranch had been enormous as the every-which-way blue of these prairie skies, almost blue and big enough for Justin to forget what he had been running from. Almost.” The tale builds with inexorable tension, revealing what has happened, and what could. This is no country for sensitive boys.

It’s a novel of flight or fight, of finding family and a home and a reason to live.

Pub Date: July 2, 2024

ISBN: 9780316475389

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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