by Joel David Levin ‧ RELEASE DATE: Oct. 22, 2021
This dramatic tale of life in and outside the music industry hits all the right notes.
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A California high school teacher reflects on his rock-star days and broods about reuniting his band.
In Levin’s follow-up to his novel Incomplete (2020), Brian Smith lives what some would consider an ordinary life. When he’s not teaching Advanced Placement English, he spends time with his wife and their Star Wars–loving 8-year-old daughter. But when his star pupil Veronica Jones interviews him, she dredges up memories of a past Brian abandoned two decades ago. He was once a member of the punk-rock group Call Field, a one-hit wonder from the early aughts. Back then, he and his band mates ecstatically signed a major-label deal. But it was Brian, bassist and chief songwriter, who practically lived at the studio to complete Call Field’s debut album. As with most fledgling music groups, both the label and fans tended to focus their attention on the frontman. In Call Field’s case, that was Steve Öken, a self-absorbed lead vocalist who tried exerting his dominance whenever he could, such as monopolizing the album cover. Not surprisingly, he butted heads with Brian—dissension that threatened the band even before its debut release. After Call Field’s ugly, animosity-laden split, Brian suffered physically and mentally. Yet when he dusts off his guitar 20 years later for his school’s talent show, he misses that exhilaration of playing music onstage. He has the chance to perform again for a benefit concert that Veronica is organizing. But she wants all five members of Call Field there. Brian and his band mates, who haven’t spoken in decades, will have to quell some bad feelings if they want to recapture that punk-rock magic they once had.
While Levin’s sequel centers on Call Field’s short-lived fame, the book is a starkly illuminating peek at the music industry. Brian, for example, toils for months on the album and plays multiple instruments on the tracks. But the record company, despite signing a punk-rock band, mixes the songs for a softer, more commercial sound, highlighting Steve’s vocals. It seems both the label and the lead singer are intent on seizing control of the tunes that Brian rightly considers his. Still, the story is not all scathing. Brian indisputably treasures music, as does the author, who drops in references to countless rock groups along with cameos by such six-stringed beauties as a Gibson SG and a Fender Stratocaster. In the tale’s family-oriented, present-day setting, Levin develops winsome, convincing relationships. Brian’s loving home life with his wife, Mel, and their daughter, Sam, has its ups and downs while good-naturedly brazen Veronica is his biggest fan and “something of a surrogate daughter.” The author, on occasion, shines too bright a spotlight on his metaphors. For example, Mel and a classroom of students separately analyze the oft-quoted lyrics to Call Field’s solitary hit, “Incomplete,” which unquestionably represents Brian’s past. But Levin more often hits the mark, as when Brian calms himself with a treadmill-inspired mantra that becomes the tale’s refrain: “Right foot. Left foot. Repeat.” Numerous uncredited artworks and photographs further elevate this enthralling story, with the standouts including Call Field’s startling album cover and flyers for the group’s appearances.
This dramatic tale of life in and outside the music industry hits all the right notes.Pub Date: Oct. 22, 2021
ISBN: 978-1-73775-690-3
Page Count: 410
Publisher: Not-So-Silent Librarian Books
Review Posted Online: Dec. 1, 2021
Review Program: Kirkus Indie
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by Colleen Hoover ‧ RELEASE DATE: Oct. 18, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
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New York Times Bestseller
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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SEEN & HEARD
SEEN & HEARD
by Susan Mallery ‧ RELEASE DATE: May 31, 2022
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.
Three woman who join together to rent a large space along the beach in Los Angeles for their stores—a gift shop, a bakery, and a bookstore—become fast friends as they each experience the highs, and lows, of love.
Bree is a friendly but standoffish bookstore owner who keeps everyone she knows at arm’s length, from guys she meets in bars to her friends. Mikki is a settled-in-her-routines divorced mother of two, happily a mom, gift-shop owner, and co-parent with her ex-husband, Perry. And Ashley is a young, very-much-in-love bakery owner specializing in muffins who devotes herself to giving back to the community through a nonprofit that helps community members develop skills and find jobs. When the women meet drooling over a boardwalk storefront that none of them can afford on her own, a plan is hatched to divide the space in three, and a friendship—and business partnership—is born. An impromptu celebration on the beach at sunset with champagne becomes a weekly touchpoint to their lives as they learn more about each other and themselves. Their friendship blossoms as they help each other, offering support, hard truths, and loving backup. Author Mallery has created a delightful story of friendship between three women that also offers a variety of love stories as they fall in love, make mistakes, and figure out how to be the best—albeit still flawed—versions of themselves. The men are similarly flawed and human. While the story comes down clearly on the side of all-encompassing love, Mallery has struck a careful balance: There is just enough sex to be spicy, just enough swearing to be naughty, and just enough heartbreak to avoid being cloying.
A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.Pub Date: May 31, 2022
ISBN: 978-0-778-38608-7
Page Count: 352
Publisher: Harlequin MIRA
Review Posted Online: March 15, 2022
Kirkus Reviews Issue: April 1, 2022
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