A lovely, moving tale of stolen freedom and hopes for a new beginning.
Raquela’s family, Jews in the Spain of Ferdinand and Isabella, must practice their religion in secret or face dire consequences.
On Friday nights, the family goes to the cellar to light candles for Shabbat. Raquela has heard of Passover and dreams of having a seder. Papa is a successful fisherman and describes his work to Raquela. When telling her that to catch a fish, one must be smarter than one and that to be smarter than a fish, one must think like one, he realizes he has the ability to give his family a seder in the open air. Mama bakes matzah, and the family gathers such things as nuts, spices, a wine goblet, and a tablecloth. Raquela and Mama quietly go to the shore, where Papa is waiting in his boat. They sail out to Papa’s secret fishing spot and have their seder as Papa explains the symbolic foods and tells the Passover story of how the Jews attained their freedom. Stein combines the stories of the two historic eras with simple, descriptive language, infusing the tale with hope and conveying an underlying sadness and fear as Raquela and her family yearn to live openly as Jews. Ugolotti’s beautifully rendered illustrations perfectly capture the time and place and tenderly portray the characters’ deepest feelings. The characters have brown skin and eyes and dark hair.
A lovely, moving tale of stolen freedom and hopes for a new beginning. (historical notes) (Picture book/historical fiction. 5-9)Pub Date: Feb. 1, 2022
ISBN: 978-1-72842-429-3
Page Count: 32
Publisher: Kar-Ben
Review Posted Online: Oct. 26, 2021
Kirkus Reviews Issue: Nov. 15, 2021
BOOK REVIEW
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Some readers may like this retooling a lot. / But new insights into the tale it has not.
A dog’s-eye view of Dr. Seuss’ beloved Yuletide tale.
“On the day before Christmas, / In Who-ville Town Square, / Every Who down in Who-ville / Was gathering there.” Here to give his side of the story via a third-person rhyming narrative is Max, a dog familiar to readers of the original book and/or viewers of the animated TV special based on Seuss’ book. It’s a grand idea: Who wouldn’t want a fresh perspective from Max, the Grinch’s long-suffering but loyal companion? The trouble is that aside from trying to alert little Cindy-Lou Who to the Grinch’s advances, Max doesn’t do anything to hinder the Grinch from robbing the town blind, so this version doesn’t lend any real insight to the story. For some readers, this may raise the question: Why not just stick with the original? While this version’s rhymes aren’t as inventive as the good Dr.’s, Heim does a solid job imitating his style; fans of the Grinch TV special will hear Boris Karloff plummily reciting the text, especially wry lines like “At house after house, while the clocks kept tock-ticking, / Old Max watched the Grinch and his sneaky St. Nick-ing.” Ruiz’s art is a fittingly faithful homage. His palette splits the difference between the 1957 book’s visual sobriety and the 1966 television production’s optical intensity.
Some readers may like this retooling a lot. / But new insights into the tale it has not. (Picture book. 5-9)Pub Date: Sept. 1, 2026
ISBN: 9798217228072
Page Count: 48
Publisher: Random House
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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