In this first of a new fantasy series, three fencing-team college friends—Torrie Thorsen, his girlfriend Maggie Christensen, and Ian Silverstein—will spend spring break at Torrie's home in Hardwood, North Dakota. But no sooner are they greeted by Torrie's parents, Thorian and Karin, and mysterious uncle Hosea than the town is attacked by werewolves. Unaffected by normal weapons, the wolves abduct Karin and Maggie and take them down a magic tunnel to Tir Na Nog. Torrie and his father, long prepared for such an eventuality—Torrie's father, a master swordsman, years ago fled Tir Na Nog, along with uncle Hosea and a bag of gold—follow the werewolves down the tunnel, while Hosea—large, powerful, dark- skinned, plainly not a blood relative—invites Ian to accompany him along another route. As they'd expected, Torrie and Thorian are captured and conveyed to the stronghold of the Fire Duke, where both will be forced to serve as duelists at the Fire Duke's pleasure. Now Torrie realizes that they're simply bait, with Hosea as the real target. Why? Well, Hosea is an old one, one of the Norse gods who built the Fire Duke's city and imbued it with innumerable secret passages; moreover, he's the key to the whereabouts of the seven scattered jewels of the Brisingamen necklace—an object so powerful that its owner can remake the universe to his own wishes. A vast improvement on the tiresome Guardians of the Flame yarns (most recently The Road Home, Feb. '95), combining a firm, practical grip on reality with an effective blend of Irish and Norse mythologies in a taut, gripping narrative.

Pub Date: May 1, 1995

ISBN: 0-688-14153-6

Page Count: 368

Publisher: Avon/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1995

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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