A fascinating time capsule of a free-wheeling era in American music and society.
A thrilling story of a little-known songwriter and record producer of some of the greatest rhythm and blues hits.
Longtime San Francisco Chronicle music critic Selvin (Smartass: The Music Journalism of Joel Selvin, 2010, etc.) digs with gusto into the tasty history of New York City’s hit-making songwriters, artists and record magnates of the great R&B era of the early 1960s, focusing on one of the greatest, if least sung of the bunch, Bert Berns (1929-1967). A Jewish kid from the Bronx with a heart condition caused by a childhood bout with rheumatic fever, Berns lived as though on borrowed time. As a young man, he fell in love with the Latin music that had made its way from Havana and points south to the nightclubs of New York. Particular favorites of his were “Guantanamera,” the irresistibly catchy Cuban anthem, and “La Bamba,” the Mexican folk song that Ritchie Valens made into a rock ’n’ roll hit. Berns turned to the mambo rhythms and mariachi chords again and again when writing his own songs and producing other artists’ recordings of them—notably “Twist and Shout” for the Isley Brothers and “My Girl Sloopy” with The Vibrations. When the Beatles recorded a worldwide hit with “Twist and Shout” in 1963, Berns’ fortunes were made. In the years leading up to his death, Berns continued to pen and record a string of classics with Solomon Burke, Van Morrison, The Drifters, Neil Diamond and others. But his story is not all sweet. Selvin’s prose, muscular and Runyon-esque and never taking itself too seriously, moves the narrative along from its upbeat start to its sordid denouement at the edges of New York’s gangland.
A fascinating time capsule of a free-wheeling era in American music and society.Pub Date: April 15, 2014
ISBN: 978-1-61902-302-4
Page Count: 448
Publisher: Counterpoint
Review Posted Online: April 13, 2014
Kirkus Reviews Issue: May 1, 2014
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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