Despite sympathetic characters and a crisp narrative style, Comeau’s latest seems to defy innovation.
A young girl tries to cheat death with a computer virus.
Sunday is writing a computer virus that will allow her dad to live forever. She records everything he says, then transcribes the recordings, then embeds the transcriptions in code that will spread from system to system—forever. In the meantime, Sunday’s dad is dying of cancer. Every day, Sunday, her mom, and her younger brother go to the hospital to visit him. That’s where Sunday makes her recordings. The virus is the most interesting thing here, but this is no Transcendence: nobody’s consciousness gets uploaded to a hard drive. Instead, Sunday and her family grieve; Sunday and her brother grow closer; their mother recedes into her own sadness; and the virus gradually comes along. Comeau’s (One Bloody Thing After Another, 2010) novel is short and spare, with chapters that rarely last more than a few pages. The writing is blunt, slightly truncated, in Sunday’s narration. “I thought this was going to be easy,” she tells us. “I would write down my father’s words, and he would live forever. But the more I record, the more I realize I am missing.” Comeau resists sentimentality, and, given his subject matter, that’s no small feat—but, given that same subject matter, he can’t be entirely successful. Unfortunately, the work has the slightly flattened aspect of a YA novel. Plus there’s the inescapable fact that this subject matter is well-traversed: computers or no computers, parents die, and they’ll go on dying.
Despite sympathetic characters and a crisp narrative style, Comeau’s latest seems to defy innovation.Pub Date: Oct. 3, 2017
ISBN: 978-1-77041-407-5
Page Count: 184
Publisher: ECW Press
Review Posted Online: Sept. 2, 2017
Kirkus Reviews Issue: Sept. 15, 2017
A book about triumphing over obstacles, and obstacles, and obstacles, and more obstacles.
An aimless young man decides to get his life together, but life has other plans.
Mike Muñoz doesn’t quite know what he wants out of life, but he knows he deserves better than what he’s got now: a terrible job cutting lawns, a truck that barely runs, and a tiny house packed with a disabled brother, an exhausted mother, and his mother’s broke boyfriend who likes to watch porn in the living room while jamming on his bass guitar. Soon enough, however, he doesn’t even have the job or the truck, and, in an ill-fated attempt to guilt-trip his mom into kicking out her boyfriend, Mike takes up residence in a shed in the backyard. Despite the steady stream of bad luck and worse decisions, Evison (This Is Your Life Harriet Chance, 2015, etc.) brings genuine humor to Mike's trials and tribulations. The writing is razor-sharp, and Evison has an unerring eye for the small details that snap a scene or a character into focus. The first-person narration turns Mike into a living, breathing person, and the reader can’t help but get pulled into his worldview. “After all, most of us are mowing someone else’s lawn, one way or another, and most of us can’t afford to travel the world or live in New York City. Most of us feel like the world is giving us a big fat middle finger when it’s not kicking us in the face with a steel-toed boot. And most of us feel powerless. Motivated but powerless.” The novel has a light tone and is laugh-out-loud funny at times, but at a certain point, Mike's trials and tribulations move from comically frustrating to just frustrating. With so much going wrong for him, the reader can expect that the universe will smile on Mike eventually, but there’s only so many sick family members, unpaid bills, bad jobs, awkward situations, and thwarted plans a character can suffer through. We root for Mike while also wishing we didn’t have to root so hard.
A book about triumphing over obstacles, and obstacles, and obstacles, and more obstacles.Pub Date: April 3, 2018
ISBN: 978-1-61620-262-0
Page Count: 320
Publisher: Algonquin
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
SEEN & HEARD
IN THE NEWS
IN THE NEWS
A frank look at the complexities of family, race and culture.
A Chinese family spanning the U.S. and the Netherlands grapples with the disappearance of one of their own.
Twenty-six-year-old Amy Lee is living in her parents’ cramped Queens apartment when she gets a frantic call from Lukas Tan, the Dutch second cousin she’s never met. Her successful older sister, Sylvie, who had flown to the Netherlands to see their ailing grandmother, is missing. Amy’s questions only mount as she looks into Sylvie’s disappearance. Why does Sylvie’s husband, Jim, look so bedraggled when Amy tracks him down, and why are all his belongings missing from the Brooklyn Heights apartment he and Sylvie share? Why is Sylvie no longer employed by her high-powered consulting firm? And when Amy finally musters up the courage to travel to the Netherlands for the first time, why do her relatives—the Tan family, including Lukas and his parents, Helena and Willem—act so strangely whenever Sylvie is brought up? Amy’s search is interlaced with chapters from Sylvie’s point of view from a month earlier as she returns to the Netherlands, where she had been sent as a baby by parents who couldn't afford to keep her, to be raised by the Tans. As Amy navigates fraught police visits and her own rising fears, she gradually uncovers the family’s deepest secrets, some of them decades old. Though the novel is rife with romantic entanglements and revelations that wouldn’t be amiss in a soap opera, its emotional core is the bond between the Lee sisters, one of mutual devotion and a tinge of envy. Their intertwined relationship is mirrored in the novel’s structure—their alternating chapters, separated in time and space, echo each other. Both ride the same bike through the Tans’ village, both encounter the same dashing cellist. Kwok (Mambo in Chinatown, 2014, etc.), who lives in the Netherlands, is eloquent on the clumsy, overt racism Chinese people face there: “Sometimes I think that because we Dutch believe we are so emancipated, we become blind to the faults in ourselves,” one of her characters says. But the book is a meditation not just on racism, but on (not) belonging: “When you were different,” Sylvie thinks, “who knew if it was because of a lack of social graces or the language barrier or your skin color?”
A frank look at the complexities of family, race and culture.Pub Date: June 4, 2019
ISBN: 978-0-06-283430-0
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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