Written with wit and grace—Sinisalo describes depression as “a smooth-walled cavity, an open, echoing cave with a darkness...
Finnish author Sinisalo (The Blood of Angels, 2014, etc.) creates a dystopian near-future Finland where women are subjugated to the demands of men by a chilling system of law and eugenics, all in the name of promoting a placid, healthy, and successful society.
Closed off from the “hedonistic” and “decadent” democracies of the outside world, Finland employs a draconian policy of prohibition—alcohol, cigarettes, and even chili peppers are banned as illegal substances—and a disturbing program of gender division in which a submissive, intellectually stunted, and blandly beautiful subrace of women called “elois” is bred and trained for the sexual pleasure of men and procreation. Women with curiosity and intellect are labeled “morlocks,” sterilized, and forced into lives of crushing labor. When Vanna, a morlock raised by her formidable grandmother to pass as an eloi, needs to help her docile sister, Manna, pay for the expenses of a wedding, she falls into the seedy world of the illegal chili pepper trade, aided by Jare, a friend who both knows and exploits her secrets. They ally themselves with a religious cult that believes breeding an impossibly hot chili will unlock spiritual salvation, and Vanna, a capsaicin addict herself, struggles with the competing desires for the bonds of family and independent rebellion. Narrated in sections that alternate between Vanna and Jare, interspersed with letters and meticulously imagined fragments from magazines, ads, and scholarly articles, the novel creates an impressively detailed and extremely frightening world.
Written with wit and grace—Sinisalo describes depression as “a smooth-walled cavity, an open, echoing cave with a darkness living in it deeper than the space between the stars”—the novel maintains an impressive grasp on plot and suspense, easily luring the reader into taking its characters, politics, and striking story to heart.Pub Date: Jan. 5, 2016
ISBN: 978-0-8021-2464-7
Page Count: 320
Publisher: Black Cat/Grove
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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