Written with wit and grace—Sinisalo describes depression as “a smooth-walled cavity, an open, echoing cave with a darkness...
Finnish author Sinisalo (The Blood of Angels, 2014, etc.) creates a dystopian near-future Finland where women are subjugated to the demands of men by a chilling system of law and eugenics, all in the name of promoting a placid, healthy, and successful society.
Closed off from the “hedonistic” and “decadent” democracies of the outside world, Finland employs a draconian policy of prohibition—alcohol, cigarettes, and even chili peppers are banned as illegal substances—and a disturbing program of gender division in which a submissive, intellectually stunted, and blandly beautiful subrace of women called “elois” is bred and trained for the sexual pleasure of men and procreation. Women with curiosity and intellect are labeled “morlocks,” sterilized, and forced into lives of crushing labor. When Vanna, a morlock raised by her formidable grandmother to pass as an eloi, needs to help her docile sister, Manna, pay for the expenses of a wedding, she falls into the seedy world of the illegal chili pepper trade, aided by Jare, a friend who both knows and exploits her secrets. They ally themselves with a religious cult that believes breeding an impossibly hot chili will unlock spiritual salvation, and Vanna, a capsaicin addict herself, struggles with the competing desires for the bonds of family and independent rebellion. Narrated in sections that alternate between Vanna and Jare, interspersed with letters and meticulously imagined fragments from magazines, ads, and scholarly articles, the novel creates an impressively detailed and extremely frightening world.
Written with wit and grace—Sinisalo describes depression as “a smooth-walled cavity, an open, echoing cave with a darkness living in it deeper than the space between the stars”—the novel maintains an impressive grasp on plot and suspense, easily luring the reader into taking its characters, politics, and striking story to heart.Pub Date: Jan. 5, 2016
ISBN: 978-0-8021-2464-7
Page Count: 320
Publisher: Black Cat/Grove
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.
A wild child’s isolated, dirt-poor upbringing in a Southern coastal wilderness fails to shield her from heartbreak or an accusation of murder.
“The Marsh Girl,” “swamp trash”—Catherine “Kya” Clark is a figure of mystery and prejudice in the remote North Carolina coastal community of Barkley Cove in the 1950s and '60s. Abandoned by a mother no longer able to endure her drunken husband’s beatings and then by her four siblings, Kya grows up in the careless, sometimes-savage company of her father, who eventually disappears, too. Alone, virtually or actually, from age 6, Kya learns both to be self-sufficient and to find solace and company in her fertile natural surroundings. Owens (Secrets of the Savanna, 2006, etc.), the accomplished co-author of several nonfiction books on wildlife, is at her best reflecting Kya’s fascination with the birds, insects, dappled light, and shifting tides of the marshes. The girl’s collections of shells and feathers, her communion with the gulls, her exploration of the wetlands are evoked in lyrical phrasing which only occasionally tips into excess. But as the child turns teenager and is befriended by local boy Tate Walker, who teaches her to read, the novel settles into a less magical, more predictable pattern. Interspersed with Kya’s coming-of-age is the 1969 murder investigation arising from the discovery of a man’s body in the marsh. The victim is Chase Andrews, “star quarterback and town hot shot,” who was once Kya’s lover. In the eyes of a pair of semicomic local police officers, Kya will eventually become the chief suspect and must stand trial. By now the novel’s weaknesses have become apparent: the monochromatic characterization (good boy Tate, bad boy Chase) and implausibilities (Kya evolves into a polymath—a published writer, artist, and poet), yet the closing twist is perhaps its most memorable oddity.
Despite some distractions, there’s an irresistible charm to Owens’ first foray into nature-infused romantic fiction.Pub Date: Aug. 14, 2018
ISBN: 978-0-7352-1909-0
Page Count: 384
Publisher: Putnam
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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