by John Agard ; illustrated by Neil Packer ‧ RELEASE DATE: Oct. 2, 2015
A pleasing visit with an occasionally—if justifiably—immodest world-changer.
Book chattily narrates its memoir, as "transcribed" by Guyanese-English poet Agard.
From oral storytelling to e-books, Book provides a succinct overview of the past 5,000 years of its development. Referring to itself alternately in the third person and the first, it covers cuneiform, hieroglyphics, and the rise of alphabets, along with tracing the technological advances that took it from clay tablets through papyrus and parchment to paper and through scrolls to the codex. Though Book waxes lyrical about Western innovations ("I was flying on the wings of Gutenberg's movable type"), it takes pains to give credit to the many other cultures of the book, including the Aztecs, the Kashmiri, and the Chinese: "from Cai Lun's mushy mash, presto, paper was born." Packer's witty, black-and-white graphics complement Book's story, offering images that range widely, including botanical drawings of plants used in the making of paper and delicate towers of type. Occasional book-related quotations punctuate Book's account: from Emily Dickinson, Bertolt Brecht, Malorie Blackman, and others. It's a highly idiosyncratic account, and it's not a little twee—Book is not beyond self-aggrandizement—but for all its brevity, it covers a lot of territory accurately and with verve. Book includes a bibliography but not specific direction for readers who'd like to know more about, for instance, rotary presses or bookbinding.
A pleasing visit with an occasionally—if justifiably—immodest world-changer. (Nonfiction. 10 & up)Pub Date: Oct. 2, 2015
ISBN: 978-0-7636-7236-2
Page Count: 144
Publisher: Candlewick
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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by Lois Lowry ; illustrated by Kenard Pak ‧ RELEASE DATE: April 7, 2020
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Sara Pennypacker ; illustrated by Jon Klassen ‧ RELEASE DATE: Sept. 7, 2021
An impressive sequel.
Boy and fox follow separate paths in postwar rebuilding.
A year after Peter finds refuge with former soldier Vola, he prepares to leave to return to his childhood home. He plans to join the Junior Water Warriors, young people repurposing the machines and structures of war to reclaim reservoirs and rivers poisoned in the conflict, and then to set out on his own to live apart from others. At 13, Peter is competent and self-contained. Vola marvels at the construction of the floor of the cabin he’s built on her land, but the losses he’s sustained have left a mark. He imposes a penance on himself, reimagining the story of rescuing the orphaned kit Pax as one in which he follows his father’s counsel to kill the animal before he could form a connection. He thinks of his heart as having a stone inside it. Pax, meanwhile, has fathered three kits who claim his attention and devotion. Alternating chapters from the fox’s point of view demonstrate Pax’s care for his family—his mate, Bristle; her brother; and the three kits. Pax becomes especially attached to his daughter, who accompanies him on a journey that intersects with Peter’s and allows Peter to not only redeem his past, but imagine a future. This is a deftly nuanced look at the fragility and strength of the human heart. All the human characters read as White. Illustrations not seen.
An impressive sequel. (Fiction. 10-14)Pub Date: Sept. 7, 2021
ISBN: 978-0-06-293034-7
Page Count: 256
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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