Beatings, shootings, knifings, stranglings, some of it graphically detailed, most of it competently handled—but all of it...
A debut suspenser chock-full of the requisite genre elements—plus a lot more gore than even those specs call for.
Katerina Heinrich is a Nazi agent. To leave it at that, however, is to understate considerably. She’s not only a spy, but she may be the best spy who’s ever lived. She's cunning, trained to kill in umpteen thousand different ways, has the beauty of sirens, and is motivated to the point of zealotry. We meet her first in New York in 1933, where the far-seeing Nazis have planted her. By page three she's committed murder, her victim a blameless young woman whose identity she appropriates. It's this act that eventually—plotting gets a bit shaky here—leads her to Los Alamos in time to cotton onto atomic bomb secrets, which she's determined to deliver to the Fatherland. In the meantime, in England, Professor Harry Winterbotham, an elderly, scholarly literature teacher, is following his own unlikely path into the espionage business. He's been recruited by MI-5 to help perpetrate the famous ‘Operation Double Cross,’ the intricate feint that bamboozled the Germans into guessing wrong about D-Day. Though Winterbotham is no ideologue, he's no less motivated than Katerina. He adores his wife Ruth. The Nazis are holding her in Dachau, and Winterbotham has his own, very private plan to gain her freedom no matter what the cost. Predictably, then, two paths are made to converge in order to stage a climactic confrontation. And so there they are—the old professor and the young Mata Hari—with their hands on each other's throats while the fate of nations hangs in the balance.
Beatings, shootings, knifings, stranglings, some of it graphically detailed, most of it competently handled—but all of it oh-so-familiar.Pub Date: July 1, 2000
ISBN: 0-399-14641-5
Page Count: 320
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2000
BOOK REVIEW
BOOK REVIEW
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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