ECLIPSE

Name: ECLIPSE
Author: John Banville
ISBN: 0-375-41129-1

by John Banville ‧ RELEASE DATE: Feb. 28, 2001

The absence of a formal plot may frustrate many readers. But for those who hear the music of its elegant rhetoric, the...

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The enigmatic confluence of memory and imagination is explored with teasing subtlety in this 11th novel from Banville, the Irish author of such intensely stylized fiction as The Book of Evidence (1990) and The Untouchable (1997).

The narrator and central (indeed, only fully developed) character is Alex Cleave, a middle-aged stage actor who walks away from his current play to return to the house he grew up in, vacant since his widowed mother’s recent death. As if enacting his surname’s contrary meanings, Cleave embraces the past (which visits him in the form of various “ghosts”) while simultaneously sundering relationships with the wife (Leah, whom he has renamed “Lydia”) he has left and the emotionally disturbed daughter (Cass) from whom he had grown increasingly estranged. Banville portrays Cleave as a wary egoist (“I am all inwardness,” he muses) who prefers “appearing” as a player in imaginary people’s lives to interacting with real ones. An unoriginal concept, but the story isn’t clichéd, because this insecure solipsist’s uncertain relation to reality is expressed in finely honed sentences graced by arresting metaphors (a new mother emerges from the hospital “blinking like a prisoner led up from the dungeons”) and refracted through an indistinct fictional texture located somewhere between dreaming and waking. Furthermore, Banville surrounds his protagonist with both hazily remembered figures from his past and such quizzical people as the house’s vaguely menacing caretaker Quirke and its “housekeeper,” Quirke’s teenaged daughter Lily, whose identity becomes confused—as much in the reader’s mind as in Cleave’s—with the troubling remembered image of Cass, which appears to fade in harmony with the total solar eclipse that occurs near the climax.

The absence of a formal plot may frustrate many readers. But for those who hear the music of its elegant rhetoric, the encompassing dark of Eclipse may well seem light enough.

Pub Date: Feb. 28, 2001

ISBN: 0-375-41129-1

Page Count: 224

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Jan. 1, 2001

Categories:

GENERAL FICTION

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THE CATCHER IN THE RYE

by J.D. Salinger ‧ RELEASE DATE: June 15, 1951

A strict report, worthy of sympathy.

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A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:

GENERAL FICTION

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- APPRECIATIONS
Holden Caulfield: Forever Young

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JURASSIC PARK

by Michael Crichton ‧ RELEASE DATE: Nov. 7, 1990

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Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.