Another worthy thriller from the Irish master novelist.

THE LOCK-UP

A detective and a pathologist in 1950s Ireland suspect an apparent suicide is actually a murder.

When Rosa Jacobs is found dead in a garage, it initially looks like an open-and-shut case. The body of the 27-year-old woman, a history scholar in 1950s Dublin, is discovered behind the wheel of a car, with its hood up and most of its windows closed, a hose connecting the exhaust pipe to a gap in the driver’s side window. DI St. John Strafford is assigned to the case, as is Dr. Quirke, a pathologist who doubts that the case is a suicide—he noticed marks on Rosa’s mouth, which he thinks points to her having been gagged and anesthetized before being put in the running car. The two men’s investigation leads them to a German family that Rosa knew; they hear rumors that Rosa was romantically involved with one member, Frank. (The idea that Rosa, who was Jewish, would befriend Germans so soon after World War II strikes many involved in the case as odd.) The plot thickens as the investigators discover that a friend of Rosa’s from Tel Aviv has been killed by a hit-and-run driver. Throughout the novel, the difficult relationship between Strafford and Quirke is explored; Quirke’s wife was shot to death in Spain some time before, and Strafford killed her killer. Quirke turned to alcohol after his wife’s murder, and his personality has become unpredictable: “Quirke’s mere presence in a room had an incendiary effect. He was like phosphorus, that burns in air.” This novel succeeds on the considerable strength of its characters, especially the quicksilver Quirke and the quiet Strafford. The prose and dialogue are stellar, as one would expect from the Booker Prize–winning Banville, and the ending comes as a complete shock. Banville has written several novels featuring Quirke, mostly under the pen name Benjamin Black; this one is a worthy addition to that series.

Another worthy thriller from the Irish master novelist.

Pub Date: May 23, 2023

ISBN: 9781335449634

Page Count: 320

Publisher: Hanover Square Press

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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THE PRINCE OF TIDES

A NOVEL

A flabby, fervid melodrama of a high-strung Southern family from Conroy (The Great Santini, The Lords of Discipline), whose penchant for overwriting once again obscures a genuine talent. Tom Wingo is an unemployed South Carolinian football coach whose internist wife is having an affair with a pompous cardiac man. When he hears that his fierce, beautiful twin sister Savannah, a well-known New York poet, has once again attempted suicide, he escapes his present emasculation by flying north to meet Savannah's comely psychiatrist, Susan Lowenstein. Savannah, it turns out, is catatonic, and before the suicide attempt had completely assumed the identity of a dead friend—the implication being that she couldn't stand being a Wingo anymore. Susan (a shrink with a lot of time on her hands) says to Tom, "Will you stay in New York and tell me all you know?" and he does, for nearly 600 mostly-bloated pages of flashbacks depicting The Family Wingo of swampy Colleton County: a beautiful mother, a brutal shrimper father (the Great Santini alive and kicking), and Tom and Savannah's much-admired older brother, Luke. There are enough traumas here to fall an average-sized mental ward, but the biggie centers around Luke, who uses the skills learned as a Navy SEAL in Vietnam to fight a guerrilla war against the installation of a nuclear power plant in Colleton and is killed by the authorities. It's his death that precipitates the nervous breakdown that costs Tom his job, and Savannah, almost, her life. There may be a barely-glimpsed smaller novel buried in all this succotash (Tom's marriage and life as a football coach), but it's sadly overwhelmed by the book's clumsy central narrative device (flashback ad infinitum) and Conroy's pretentious prose style: ""There are no verdicts to childhood, only consequences, and the bright freight of memory. I speak now of the sun-struck, deeply lived-in days of my past.

Pub Date: Oct. 21, 1986

ISBN: 0553381547

Page Count: 686

Publisher: Houghton Mifflin

Review Posted Online: Oct. 30, 2013

Kirkus Reviews Issue: Sept. 15, 1986

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A loose-limbed, bighearted Hollywood yarn.

THE MAKING OF ANOTHER MAJOR MOTION PICTURE MASTERPIECE

A fictional account of the agony and ecstasy of making a movie, from someone who’d know.

For his sprightly debut novel, actor/writer/national treasure Hanks—author of the story collection Uncommon Type, 2017—imagines the making of Knightshade: The Lathe of Firefall, a mashup of Marvel-esque superhero fare, war story, and artsy melodrama. The movie’s concept seems like an unworkable, even bad idea, which is part of the point—Hanks stresses the notion that successful movies aren’t just a matter of story but the people who make them. So he’s assembled an engrossing cast of characters: Bob Falls, the World War II vet who served as a flamethrower in the Pacific theater and became a PTSD–struck biker; Robby Andersen, the nephew who turned him into alternative-comix antihero Firefall; Bill Johnson, the well-decorated Spielberg-ian director who acquires the Firefall property and writes the script; and the small army of actors, assistants, and technicians charged with shooting the film in the Northern California town of Lone Butte—on time, lest morale collapse and the budget inflate. Hanks ably depicts how easily things derail. The male lead’s ego wrecks the shooting schedule. A stray social media post complicates security. On-set flirtations threaten a marriage. But the novel reflects the sunny stick-to-it-iveness of many of Hanks’ roles, and his central thesis is that every movie’s true hero is anybody who reduces friction. To that end, his most enchanting and best-drawn characters are the director’s assistant, Al Mac-Teer (full name Allicia), and Ynez Gonzalez-Cruz, a ride-share driver with no movie experience but a knack for problem-solving. “Most of the film business is done by meeting folks,” one character says, and Hanks suggests that meeting the right people—and being kind to them—is half the battle of successful moviemaking. Overly romantic? Consider the source. Regardless, it’s a well-turned tale of a Hollywood (maybe) success. (Sikoryak illustrates some comic-book pages related to the Firefall backstory and film.)

A loose-limbed, bighearted Hollywood yarn.

Pub Date: May 9, 2023

ISBN: 9780525655596

Page Count: 448

Publisher: Knopf

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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